Search results for "Kim Seong-cheol"

On November 29 (Saturday) and 30 (Sunday), films 〈Ryuichi Sakamoto: Coda〉 (2017), 〈Ryuichi Sakamoto: Async〉 (2018), and 〈Ryuichi Sakamoto: Opus〉 (2023) will be screened in order, along with a GV session.

I get fascinated by objects in movies. I ponder deeply why that object was placed in front of the camera, whether by the director, cinematographer, art director, or actor. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

I get hooked on the music in movies. Music conveys the intimate emotions of characters that sometimes cannot be expressed through visible images and audible dialogues. It can also serve as a window to glimpse the hidden intentions of the creator. For me, understanding film music was one way to connect with the film. 'Chua-young's Music Box' listens to the voice of the film more closely through music. (P.S. I hope you read this while listening to the music.)

This work depicts the unexpected journey of a ‘fake praise group’ created to earn foreign currency for North Korea.

The new special exhibition at the Korean Film Museum 〈Digging Soundtrack – Listening to Korean Film Music on LP, Cassette, and CD〉 is the first of its kind in Korea, allowing visitors to directly experience over 3,000 film music records using turntables and players in an interactive exhibition.

With ‘Emotional Journey – Crossing Borders with Hong Kong Cinema’ (Korean Film Archive) and ‘Making Waves: The New Wave of Hong Kong Cinema’ (Cinecube), October in Seoul will be colored by Hong Kong films.

EMK Musical Company’s Tenth Original Work Dealing with the Mystery of Jang Young-sil to be Revealed at Chungmu Art Center

Korean Premiere Opens in December at Seoul GS Art Center

You can participate through the link on the official Busan Film Awards website, and you can select one person each from the male and female categories. Each person can vote once a day, and multiple participations are allowed within the period.