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[Weekend Movie Theater] Na Hong-jin’s New Film “Hope” Surpasses 330,000 on Opening Day… Biggest Record for Releases This Year

[Weekend Movie Theater] Na Hong-jin’s New Film “Hope” Surpasses 330,000 on Opening Day… Biggest Record for Releases This Year

It tops the previous hit “The Wailing” and sets the highest opening record of the year. Box office No. 2 is “Minions & Monsters,” followed by “Moana” and thriller “Eye-drops” starring Min-a Shin
‘Hope’ opens a new chapter for Korean sci-fi… What an overwhelming opening score means Director Na Hong-jin’s ambitious work ‘Hope’ has finally lifted the veil and is shaking up the movie-theater ecosystem. Lightly surpassing 300,000 viewers on its first day of release, it has set a new milestone...
Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

A return 10 years after “The Wailing.”
[In-Depth Analysis] The Return of a $5 Billion Epic—A Mind-Blowing Sci-Fi Thriller Created by the Namhongjin Universe The return of a master who broke a decade of silence is, indeed, overwhelming. 'Hope', which has shaken up the landscape of the Korean film industry, proved its explosive box-office...
Critics’ harsh backlash can’t stop it—‘Michael’ clears $1 billion, topping Oppenheimer

Critics’ harsh backlash can’t stop it—‘Michael’ clears $1 billion, topping Oppenheimer

‘Michael Jackson’ biopic ‘Michael’ crosses the $1 billion mark to claim the No. 1 spot in history As overwhelming audience support overturns reviewers’ scathing takes and takes over the Billboard charts
The return of the ‘King of Pop,’ and a $1 billion miracle that overwhelmed screens worldwide The enduring ‘King of Pop’ Michael Jackson biopic ‘Michael’ shone a light on the twists and turns of his life, establishing a new milestone for the global film industry by reaching the $1 billion mark in...
[Box Office] Live-Action Moana Takes No. 1 Over the Weekend... Na Hong-jin’s Hope Draws a Ticket-Booking Surge

[Box Office] Live-Action Moana Takes No. 1 Over the Weekend... Na Hong-jin’s Hope Draws a Ticket-Booking Surge

Moana’s live-action remake tops the weekend theater charts Na Hong-jin’s new film Hope clears 380,000 ticket bookings, signaling a box-office hit
The power of the live-action remake, rolling in like a stormy sea, sweeps over the weekend box office Disney’s big bet, the live-action 'Moana', completely takes control of the theater crowd for its opening weekend and plants its flag atop the box office.
500x Production Budget Windfall…‘Obsession,’ Top Horror of the Year, Set for September Release

500x Production Budget Windfall…‘Obsession,’ Top Horror of the Year, Set for September Release

A debut film by a 1999-born YouTuber director that pulled in 600 billion won on 1.1 billion won—surpassing ‘Backroom’ to claim No. 1 at the box office for horror.
‘500x Production Budget Jackpot’… A new playbook for horror hits from a 1999-born prodigy director A once-in-a-lifetime horror craze that has swept through North American theaters has finally arrived on the Korean Peninsula.
[Weekend Theater] Live-Action ‘Moana’ Takes No. 1 at the Box Office, Reservation-Rate Surge for Na Hong-jin’s ‘Hope’

[Weekend Theater] Live-Action ‘Moana’ Takes No. 1 at the Box Office, Reservation-Rate Surge for Na Hong-jin’s ‘Hope’

A new blockbuster formula for Disney’s live-action remake, as the ocean fantasy swept the theater scene Disney’s ambitious live-action project ‘Moana’ has finally lifted the curtain and seized full control of the local theater scene.
Shin Min-a Takes the Lead in ‘The Eyes’ as It Tops 840,000 Viewers, Receives Official Invitation to the Panorama Section of the 59th Sitges Film Festival

Shin Min-a Takes the Lead in ‘The Eyes’ as It Tops 840,000 Viewers, Receives Official Invitation to the Panorama Section of the 59th Sitges Film Festival

A mystery thriller tracing a protagonist who is gradually losing her eyesight due to a genetic disease, ‘The Eyes’ is maintaining its grip on No. 1 at the South Korean box office for a second straight week Word-of-mouth immediately after release helped push total admissions past 840,000, showcasing its staying power at summer theaters With a spot in the competitive category at the world’s largest genre film festival, the film proves both its artistic merit and mainstream appeal
〈The Eyes〉 rode the wind of strong momentum from a string of favorable developments. 〈The Eyes〉 is a South Korean film released on June 24. It tells the story of Shin Min-a as Seo Jin, who tracks the secrets behind the death of her suicidal younger sibling.
[Box Office] ‘Toy Story 5’ Passes 2 Million Admissions

[Box Office] ‘Toy Story 5’ Passes 2 Million Admissions

Shin Min-a leads with ‘Eye-dongja’ at 359,000-plus viewers (32.7% share) in second; ‘Goonche’—a K-zombie tale—lands third; Timothée Chalamet’s ‘Matti Supreme’ takes fourth
Disney-Pixar’s masterpiece ‘Toy Story 5’ completely dominated the weekend theater scene in its third week of release, easily surpassing the 2 million-admissions mark. A comeback of the analog in the digital age—stealing the hearts of 2 million viewers According to data from the Integrated Ticketing...
[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

With the thriller starring Min-a Shin taking the No. 1 spot at the box office, “Toy Story 5,” which leads in advance ticket sales, is set for a fierce weekend showdown.
The weekend theater scene is buzzing with a clash between chilly K-mystery and warm Hollywood-style kid-at-heart wonder. Shin Min-a’s well-made thriller, Eye Pupils, knocked Disney and Pixar’s hit juggernaut, Toy Story 5, taking a commanding run to the top of the box office.
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...