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Review: 〈Silnakwon〉 Pits a Mother Against an AI-Era Mystery When Her Son Returns After 9 Years

Review: 〈Silnakwon〉 Pits a Mother Against an AI-Era Mystery When Her Son Returns After 9 Years

Director Yeon Sang-ho, a filmmaker often credited with expanding the range and commercial success of Korean cinema, tackles a story rooted in the anxieties of the AI age in 〈Silnakwon〉. The film, which screened for audiences at the 51st Toronto International Film Festival and the 31st Busan...
Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Third-year event features directors Han Jun-hee and Kang Yoon-sung and introduces its first hands-on AI workshop
400 creators poised to lead the future of K-content learn hands-on production skills Netflix held Creative Asia at the Busan International Film Festival on the 10th, bringing together emerging creators from across Asia for global exchange and professional growth in the event's largest edition yet.
[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

A reunion 15 years after ‘The King of Pigs’ won three awards, this mystery starring Kim Hyun-joo and Bae Hyun-sung opens on the 21st
'Yeon Sang-ho' has returned to the 31st 'Busan International Film Festival' with his new film 'Paradise Lost'. Fifteen years ago, he made a major mark on the film industry with the animated film 'The King of Pigs', which won three awards.
[Inside the Busan International Film Festival] “AI Can’t Replace Actors”: Fan Bingbing Returns for First Press Conference in 3 Years, Pays Tribute to ‘Possible Love’ Performances

[Inside the Busan International Film Festival] “AI Can’t Replace Actors”: Fan Bingbing Returns for First Press Conference in 3 Years, Pays Tribute to ‘Possible Love’ Performances

At a press conference marking her 30th year since debut, she praised Park Chan-wook’s ‘The Handmaiden,’ screened new film ‘The Diary of a Mad Old Man’ and took part in the special program ‘Carte Blanche’
30 years of acting experience help her weather technology’s waves Fan Bingbing, an actress who has built a career on the global stage beyond the Chinese-language market, returned to the 31st 'Busan International Film Festival ' after three years.
LA screening: “Korean men are conditioned by oppression” — Lee Chang-dong’s ‘Possible Love’ takes aim at Oscars

LA screening: “Korean men are conditioned by oppression” — Lee Chang-dong’s ‘Possible Love’ takes aim at Oscars

After winning the Venice jury’s Grand Prix, the film is selected as South Korea’s Academy submission, with Seol Kyung-gu and Jeon Do-yeon praised for their performances as a wounded laid-off worker and his wife
Acclaimed director 'Lee Chang-dong' raised a weighty and pointed question at a special Los Angeles screening of 'Possible Love', saying, "Korean men are conditioned by a far more oppressive structure than the one in the United States.
Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Director Julia Ducournau, who won the Palme d'Or at the Cannes Film Festival with the film 〈Titane〉, returns with her new work 〈Alpha〉. Ducournau built a distinctive cinematic worldview by depicting forbidden desire with striking mise-en-scène in films such as 〈Raw〉 and 〈Titane〉.
Short Films by KAFA Alumni Directors Bong Joon-ho, Jang Joon-hwan, Choi Dong-hoon and Lee Ok-seop to Screen at Airport
Gimhae International Airport Runs ‘Airport Cinema Club’

Short Films by KAFA Alumni Directors Bong Joon-ho, Jang Joon-hwan, Choi Dong-hoon and Lee Ok-seop to Screen at Airport Gimhae International Airport Runs ‘Airport Cinema Club’

Korean Film Council and Korean Academy of Film Arts host event at Gimhae International Airport through Oct. 19 in partnership with the 31st Busan International Film Festival
The Korean Film Council, chaired by Han Sang-joon, and the Korean Academy of Film Arts, led by director Cho Keun-sik and known as KAFA, will run the ‘Airport Cinema Club’ from Sept. 22 through Oct. 19 in the domestic terminal’s third-floor general waiting area at Gimhae International Airport.
Lee Min-ho says his biggest takeaway from 〈Assassins(Deul)〉 was seeing Heo Jin-ho, Yoo Hae-jin and Park Hae-il up close

Lee Min-ho says his biggest takeaway from 〈Assassins(Deul)〉 was seeing Heo Jin-ho, Yoo Hae-jin and Park Hae-il up close

※ This interview with actor Lee Min-ho about 〈Assassins 〉 continues from Part 1. In the film, you worked with Shim Eun-kyung, who plays Lee Kang-ja, the character who assists Yeong-il in Japan. What was it like acting with her. Shim Eun-kyung is actually very shy. We did not have long conversations.
Bong Joon-ho, Choi Dong-hoon and Jang Joon-hwan shorts among 25 films screening free at Airport Cinema Club

Bong Joon-ho, Choi Dong-hoon and Jang Joon-hwan shorts among 25 films screening free at Airport Cinema Club

Airport Cinema Club opens to mark the 20th anniversary of the Korean Film Academy’s feature-film program
Free to all visitors, with no boarding pass required, from Sept. 22 for one month to mark KAFA feature-film program’s 20th anniversary Gimhae International Airport is being transformed into a giant movie theater.

"A three-page note from my mother was the original concept": Yeon Sang-ho brings 500 million-won film 'Lost Paradise' to screens, confronting AI dilemma

Opening Oct. 21, the film follows a mother who reunites with a son recreated by AI after nine years, showcasing Kim Hyun-joo's 30 years of acting experience and Bae Hyun-sung's dramatic transformation
The hottest human dilemma forged by the coldest technology Director 'Yeon Sang-ho', who established a distinctive universe with this year's film 'Colony', returns with 'Lost Paradise', a low-budget film made for around 500 million won. Set for release Oct.