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Search results for "Biennale Director"

[Culture&] Han Kang at the Venice Biennale with Nobel Prize, Exhibiting Installation Work Inspired by No Farewells

[Culture&] Han Kang at the Venice Biennale with Nobel Prize, Exhibiting Installation Work Inspired by No Farewells

Han Kang's 'The Funeral' Forms a Perfect Unity with the 'Mourning Space'. A Collaboration that Breaks the Boundaries of Literature and Sculpture
Nobel Prize-winning author Han Kang will showcase installation art at the 61st Venice Biennale. The theme for the Korean Pavilion in 2026 has been confirmed as Liberation Space: Fortresses and Nests. Han Kang's work, The Funeral, is a visual outcome mourning the historical wounds of the Jeju 4·3...
| James choi
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
Art Museum - The First Theatrical Release Film of Hong Jin-hwan, 'Oh, Valentine', Premiering on March 11

Art Museum - The First Theatrical Release Film of Hong Jin-hwan, 'Oh, Valentine', Premiering on March 11

It tells the story of an unyielding struggle and revolution through the historical testimonies of two individuals who were with the late Park Il-soo, a subcontracted worker at Hyundai Heavy Industries in 2004.
The film 〈Oh, Valentine〉 that senses the possibilities of an unyielding struggle and revolution through the historical testimonies of two individuals who were with the late Park Il-soo, a subcontracted worker at Hyundai Heavy Industries in 2004, will be released on March 11.
| Joo Seong-cheol