Search results for "Director's Cut"

A tighter narrative and psychological battle, deepened by 19 minutes of cinematic artistry The Korean Film Archive officially announced on the 8th that it will hold a special screening on the 13th of the extended version of master director ‘Park Chan-wook’’s thriller ‘No Other Choice’ (2025) at...

The maestro’s hidden 19 minutes, a cold return beyond perfection A brutal yet elegant thriller woven by director Park Chan-wook, the film 'It’s Not Like I Had a Choice' is finally unsealed. CJ ENM, the distributor, will release an extended edition in the form of a Deep Cut—one step beyond the...

The agency ADOR has won a lawsuit against the advertising production company Dolphin Kidnapping Group regarding a copyright dispute over the music video of the girl group NewJeans. The 62nd Civil Division of the Seoul Central District Court (Judge Lee Hyun-seok) ruled on the 13th that Dolphin...

The film 〈The Fall: Director's Cut〉 is making a new history in re-release box office success, and director Tarsim has announced a surprise encore visit. 〈The Fall: Director's Cut〉 is a director's cut that revives the fantastic adventure of five outlaws told by the stuntman 'Roy' to a curious young...

The occult AI film has won the prestigious award. At the ‘2025 KT AI P.A.N (Playground, AI, Now)_Next’ film festival, the short film 〈Ak-Tal〉 from ‘Voyager 1’ received the grand prize. Set against the backdrop of the Japanese occupation, it tells the story of the Japanese army trying to annihilate...

'K-Demon Hunters' director Maggie Kang candidly shared her thoughts on fans' expectations for a director's cut. On the 13th, Netflix Korea released a video titled 'Maggie Kang X Ahn Hyo-seop Behind the Scenes Interview' on their YouTube channel.

※ The interview with 〈Dear Evan Hansen〉 and 〈How to Love in a Big City〉 actor Na Hyun-woo continues in Part 1. Turning to film: you have said you long dreamed of becoming a screen actor, and you called recent projects meaningful challenges. Two that stand out are 〈Pilot〉 (2024) and 〈1 Seung〉 (2024).

〈Eddie Alice: Take〉, a meta-hybrid film that uses the transitions of trans women Eddie and Alice to give cinematic form to the unfamiliar experience of change and confrontation, held a press and distributor screening followed by a press conference to an enthusiastic reception.

A nonfiction essay vividly recounting the hard-fought debut journeys of 31 leading directors shaping South Korean cinema, 『My First Action』 (jointly planned by the Directors Guild of Korea and CinePlay), has been published.

Tracing lost blood ties through a stranger’s lens Tanja Taekyung Inwol Sørensen, who was adopted to Denmark at 2 months old in 1982, came to the 31st Busan International Film Festival with 'Home Sick: At the End of the Sea', an autobiographical documentary tracing her roots.