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The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.
“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.
Chuseok Theater Spread: What Works—and What Doesn’t—in 〈The Intern〉, 〈Assassin(s)〉 and 〈Tazza: Belzebub’s Song〉

Chuseok Theater Spread: What Works—and What Doesn’t—in 〈The Intern〉, 〈Assassin(s)〉 and 〈Tazza: Belzebub’s Song〉

Chuseok has arrived, and with it comes a wave of Korean releases vying for holiday audiences over the long break. A variety of movies are opening now, each hoping to capture viewers during the holiday. CinePLAY reporters previewed three titles that have drawn the most attention and anticipation.