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Tving’s Chinese drama goddess Wang Yinglu stars in “Only You Can Be Seen,” a can’t-miss romance that hooks viewers at first sight — releases in June!

Tving’s Chinese drama goddess Wang Yinglu stars in “Only You Can Be Seen,” a can’t-miss romance that hooks viewers at first sight — releases in June!

Wang Yinglu, who has been drawing big attention on major South Korean OTTs with the historical fantasy 〈Hun’iong〉 and the mystery romance 〈Shier Bingshen〉, is taking off with her soaring popularity.
Wang Yinglu, who captivated audiences with her standout acting through the historical fantasy [Hun’iong] and the mystery romance [Shier Bingshen], both of which have been airing recently on major domestic OTT platforms such as Tving and Watcha, quickly won over fans in South Korea.
Oooz! X Wang Yinglu Fantasy Romance ‘Only You Can Be Seen’, Exciting Teaser Trailer Released

Oooz! X Wang Yinglu Fantasy Romance ‘Only You Can Be Seen’, Exciting Teaser Trailer Released

A romantic story that captures the inventive imagination of a man who sees a giant yellow duck and a woman who makes the duck disappear Directed by Haowlin Song, this highly anticipated work blends the feelings of youthful loneliness and love with a finely tuned sense of realism The dazzling chemistry between Asia’s rising star Oooz! and powerhouse actor Wang Yinglu… Coming to theaters in Korea in June
Oooz! and Wang Yinglu have unveiled a teaser trailer that delivers a fluttery chemistry full of excitement with 〈Only You Can Be Seen〉.The film 〈Only You Can Be Seen〉 tells the story of Tian Xiaozhou (Oooz!), who, after undergoing electroconvulsive therapy, can only see the color yellow—so everyone...
[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

One day, just shy of 30, director Park Jung-mi quit her job and set off traveling after deciding she was no longer happy.
In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.
Lee Joon-ik Makes the Case for a 'Vertical Revolution' at 'Father's Home Cooking' Q&A

Lee Joon-ik Makes the Case for a 'Vertical Revolution' at 'Father's Home Cooking' Q&A

“If horizontal film is a landscape painting, the vertical frame is a portrait. You can focus more deeply on a character’s inner life, and on set every actor gets a solo shot — it becomes a kind of liberated space for cinema where everyone stands equal.
'Deep Water' Director Renny Harlin Shares Powerful Message With Korean Audiences Ahead of Sept. 9 Release

'Deep Water' Director Renny Harlin Shares Powerful Message With Korean Audiences Ahead of Sept. 9 Release

'Die Hard 2' Director Renny Harlin Teases New Film's Most Realistic Sharks and 20-Minute Plane Crash Sequence In a written interview ahead of its Sept. 9 release in South Korea, Harlin shares heartfelt behind-the-scenes stories with Korean audiences "I hope you feel deeply grateful for every moment of life," Harlin says, emphasizing the profound emotion and meaning of family love beyond the spectacle
Director Renny Harlin has shared a message with Korean audiences awaiting 〈Deep Water〉. The film 〈Deep Water〉 is the latest from Renny Harlin, the director who delivered action thrills with 〈Die Hard 2〉 and 〈Deep Blue Sea〉. It is set to meet Korean audiences on Sept. 9.
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

Gun-woo (Yoo Hee-je), an unemployed young man who quit baseball and finds himself at a dead end, and Mina (Kim Se-won), a teenage girl who wanders after her mother’s death, unable to fit into her new surroundings.
⮕ The interview with 〈Little Dreamers〉 director Lee Kwang-ho and actors Yoo Hee-je and Kim Se-won continues in Part 1. You became the architect of this dream. How did you develop the ideas for building the dream world. Did you have any references.
Country music queen Dolly Parton dies at 80; Trump orders flags at half-staff for one week

Country music queen Dolly Parton dies at 80; Trump orders flags at half-staff for one week

The 11-time Grammy winner leaves behind the classic “I Will Always Love You”; family asks mourners to donate to charity instead of sending flowers
Original “The Bodyguard” singer Dolly Parton dies; Trump orders flags at half-staff for one weekA legend who wrote 3,000 songs and sold 100 million records; family asks mourners to donate to charity instead of sending flowersDolly Parton, the enduring symbol of American country music who reigned as...
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...