Search results for "Seong Chan-eol"

I go crazy for subculture. I check out anything with fresh stories, settings or characters — not only films but webtoons, games, comics and animation. I entered the world of fandom through comics: as an adult I read comics as e-books and webtoons on my smartphone, a self-described 'kidult.' But it's less fun alone. I write Seong Chan-eol's Comics to share things that are more enjoyable together, seen from the perspective of an omnivorous fan.

I'm obsessed with subculture. I check out anything with fresh stories, settings, or characters — movies, webtoons, games, comics, animation. Having discovered fandom through comics, I became what I call an "e-adult" — an adult who reads printed comics via e-books and webtoons on my phone. But it's less fun alone. In this recurring column, Seong Chan-eol's Comics, I highlight works that are more enjoyable together from the perspective of a jack-of-all-fandoms — a fan with broad, eclectic tastes.

I am crazy about subculture. I check out not only movies but also webtoons, games, comics, and animations that deal with fresh stories, themes, and characters. I opened the world of 'otaku' through comic books and became an 'adult child' who reads comic books on e-books and webtoons on my smartphone. However, it’s less fun to enjoy alone. I draw [Seong Chan Eol's Comic Book] from the perspective of a passionate fan, capturing what would be more enjoyable to experience together.

I am crazy about subculture. Not only movies, but also webtoons, games, comics, and animations that deal with novel stories, materials, and characters are something I always check out. Having opened the world of 'otaku' through comic books, I have become an 'adult child' who reads comic books on e-books and webtoons on smartphones. However, it's less fun to watch alone. I draw [Seong Chan-eol's Comic Book] from the perspective of a casual otaku, capturing things that would be more fun to watch together.

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.