Search results for "Seoul Art Cinema"

Film Critic Im Jae-cheol Passes Away… A Key Figure Who Led Film Production, Distribution, and Criticism

Film Critic Im Jae-cheol Passes Away… A Key Figure Who Led Film Production, Distribution, and Criticism

Operating the film company Emotion Pictures; launched Film Culture and founded Film Forum… Age 65
Film critic Im Jae-cheol, who helped cultivate the foundation for art films by bridging criticism and hands-on work in the Korean film industry, has died. According to his family and others on the 23rd, he collapsed about two months ago and had been receiving treatment, before passing away the...
Film Alliance Declares Full Boycott of 'Seoul Film Center'... Return to Original Plan of 'Seoul Cinematheque'!

Film Alliance Declares Full Boycott of 'Seoul Film Center'... Return to Original Plan of 'Seoul Cinematheque'!

On the 5th, the Film Alliance issued a statement strongly urging the immediate return to the original plan of 'Seoul Cinematheque' and the prompt establishment of a public forum.
The Film Alliance (co-representatives Baek Jae-ho and Lee Dong-ha) issued a statement on the 5th, declaring a full boycott of any cooperation with the current operation system of 'Seoul Film Center' and strongly urging the return to the original plan of 'Seoul Cinematheque' and the immediate...
The New Wave of Japanese Cinema 'Oda Kaori' to Visit Korea on the 28th... 'Underground Trilogy' Special Screening Held

The New Wave of Japanese Cinema 'Oda Kaori' to Visit Korea on the 28th... 'Underground Trilogy' Special Screening Held

Director Oda Kaori, a 'Disciple of Bela Tarr', to Screen Her New Work Alongside Previous Works for the First Time in Korea
The time has come to meet director Oda Kaori's previous works again in theaters as her visit to Korea has been confirmed.Japanese director Oda Kaori will visit Korea on January 28. Along with her visit, the screening of her previous works symbolizing her artistic identity, the 'Underground...
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
Lee Byung-hun x Go Youn-jung, Heading to Tsushima…Casting for Wuxia Action Epic “Nambal”; Imogae’s Directorial Debut, “The Magician of Light”

Lee Byung-hun x Go Youn-jung, Heading to Tsushima…Casting for Wuxia Action Epic “Nambal”; Imogae’s Directorial Debut, “The Magician of Light”

Imogae’s first time directing the film “Spring in Seoul.” A wuxia action epic featuring Joseon-era swordsmen on a mission to rescue captives.
“A New Era of Joseon Wuxia,” a bloody struggle of nine swordsmen heading for TsushimaLee Byung-hun, a pillar of Chungmuro, and Go Youn-jung, who has solidified herself as an overwhelming top star, meet in the Joseon-era wuxia action epic “Nambal.
‘Nambal’ Finalizes Casting of Go Yoon-jung! Builds a Perfect Lineup Following Lee Byung-hun

‘Nambal’ Finalizes Casting of Go Yoon-jung! Builds a Perfect Lineup Following Lee Byung-hun

The character Ae-ryeong, played by Go Yoon-jung, loses her family in an attack by Japanese pirates, and takes to the battlefield herself to rescue her younger brother held in Tsushima.
The film 〈Nambal〉, following Lee Byung-hun, has confirmed Go Yoon-jung’s casting, adding weight to the lineup. 〈Nambal〉 is a hardboiled martial-arts action set in the early Joseon period in which nine swordsmen—each with differing abilities and ranks—move toward Tsushima to rescue captives who have...
‘The Assassins’ Gets an Official Gala Presentation Invite for the 51st Toronto International Film Festival

‘The Assassins’ Gets an Official Gala Presentation Invite for the 51st Toronto International Film Festival

A story that traces the allegations and the forces behind the assassination attempt on the First Lady that rocked South Korea on Aug. 15, 1974.
The film 〈The Assassins〉 has received an official invitation to the gala presentation section of the 51st Toronto International Film Festival, drawing attention even before its release. The film 〈The Assassins〉 has been officially invited to the gala presentation section of the 51st Toronto...
'Master of Experimental Film' Jean-Claude Rousseau... Spanning Over 40 Years of Film, at MMCA Film & Video in 2026

'Master of Experimental Film' Jean-Claude Rousseau... Spanning Over 40 Years of Film, at MMCA Film & Video in 2026

A look across four decades from his debut to the latest works, plus screening of a rare title shot in Jeonju and a free talk in Jeonju
An alchemist of light and time arrives in SeoulA living legend of avant-garde cinema, French master 'Jean-Claude Rousseau' will soon be under the spotlight as Seoul’s heart witnesses a decisive moment in his 40-year artistic journey.
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.