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"Movie Viewing for 4,000 Won" Discount Ticket—Distributed Starting the 13th…Two Tickets per Person

Automatic two-tickets-per-person distribution through the apps of four major multiplex chains…When overlapping with benefits such as Culture Day, you can watch for 4,000 won
A Signal of Theater Industry Recovery—Massive Budget Injection Greatly Eases Viewer BurdenThe government has moved to deliver major support to bring new momentum to the struggling theater industry. The unprecedented discount tickets, distributed based on a supplemental budget of 27.
| James choi
'Korean-style Sphere' is coming... Megabox leads the 8.2 billion won dome media business

'Korean-style Sphere' is coming... Megabox leads the 8.2 billion won dome media business

Megabox, in cooperation with LG Electronics and others, invests 8.2 billion won by 2028 to commercialize dome media on a 'Sphere'-level
The prologue to 'Korean-style dome media' that will go beyond the Las Vegas 'Sphere'An immersive media space comparable to 'Sphere', a massive performance venue and a landmark of Las Vegas, will be built entirely with homegrown technology.
| James choi
The Roots of K-Movies: Korean Cinema Captivates New York in the 1970s… From “Whangnyeo” to “Spider’s Web”

The Roots of K-Movies: Korean Cinema Captivates New York in the 1970s… From “Whangnyeo” to “Spider’s Web”

A special showcase of 1970s Korean films at Lincoln Center in New York. Featuring 29 digitally restored works, including “Whangnyeo,” to shine a light on the origins of K-movies.
A Korean film renaissance reborn at the heart of New York, “1970s Korean Film Special Exhibition”Masterpieces that led the golden age of 1970s Korean cinema revive in the middle of New York, dramatically. The Korea Foundation for Cultural Exchange in New York announced on the 7th that, together...
| James choi
Why Do People Love “Love” in Korean Films? Korea Film Archive’s New Special Exhibition “Title Exhibition (展)”

Why Do People Love “Love” in Korean Films? Korea Film Archive’s New Special Exhibition “Title Exhibition (展)”

The Korea Film Archive (Director Mo Eun-young) will hold a new special exhibition 〈Title Exhibition (展) – Text, Typography, and Moving Images〉 at the Korea Film Museum starting May 8.
The Korea Film Archive (Director Mo Eun-young, hereafter “Korea Film Archive”) will host the new special exhibition 〈Title Exhibition (展) – Text, Typography, and Moving Images〉(hereafter “Title Exhibition (展)”) at the Korea Film Museum (located in Sangam-dong) starting Friday, the 8th.
| Joo Seong-cheol
Kenyan Math Prodigy Who Shook Wall Street… Opens on the 21st: 8th Africa Film Festival

Kenyan Math Prodigy Who Shook Wall Street… Opens on the 21st: 8th Africa Film Festival

Opening on the 21st at Busan Cinema Center… 16 Films from 15 Countries, Including Kenya’s Hot Topic Film ‘Kipkemboi,’ Challenging Wall Street
Ahead of 'Africa Day' on the 25th and the 'Korea-Africa Foreign Ministers’ Meeting' on June 1, a cultural festival spotlighting the diverse charms of Africa has kicked off. In cooperation with the Busan Cinema Center, the Korea-Africa Foundation will hold the '8th Africa Film Festival' in Busan,...
| James choi
‘A City of Sadness,’ abruptly put on hold one day before reopening… “Copyright issues raised”

‘A City of Sadness,’ abruptly put on hold one day before reopening… “Copyright issues raised”

The original rights holder sent an official notice saying, “I’ve never sold the distribution rights in Korea,” prompting theaters to halt screenings in the middle of ongoing showings Korean Association of Art Cinema Theaters: “The original rights holder denies the legitimacy of the screening copy… withdraw to protect audience trust” Importer A-Sum Pictures: “We purchased it lawfully through a French distributor… we’ll do our best to reach a proper resolution”
The masterpiece by director Hou Hsiao-hsien, ‘A City of Sadness (1989),’ was scheduled to return to South Korean screens on the 6th but was suddenly put on hold just two days before its release. As the original overseas rights holder raised copyright concerns and signs of a legal dispute began to...
| Yangsimoh
Korean Version of YA Horror “GIRIGO” Claims Global Top 10 #1 Among Non-English Shows!

Korean Version of YA Horror “GIRIGO” Claims Global Top 10 #1 Among Non-English Shows!

Not only did it reach #1 in a total of 24 countries with 7,500,000 views (views divided by the work’s total runtime), it also made it onto the TOP 10 list in 64 countries overall—proving the popularity is still going strong in its second week.
Netflix’s series 〈GIRIGO〉​, which depicts high school students who are given a curse that foretells their sudden deaths and do everything they can to escape it, has climbed to #1 on the Global TOP 10 for non-English shows in its second week since release.
| Joo Seong-cheol
Lee Kwang-soo's gold tooth, apparently caught up in a copyright dispute lol #GoldLand

Lee Kwang-soo's gold tooth, apparently caught up in a copyright dispute lol #GoldLand

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| Oh Han-joo
Ok Taec-yeon Returns With Netflix Japanese Series ‘Soulmate’… Worldwide Release on May 14

Ok Taec-yeon Returns With Netflix Japanese Series ‘Soulmate’… Worldwide Release on May 14

In sync with Lee Isomura Hayato… A 10-Year Story Set in Berlin, Seoul, and Tokyo Ok Taec-yeon to play ‘Johann,’ a wounded Korean boxer… Promises a careful performance of fragile emotions A Korea-Japan co-production project… Studio Dragon GTist and Robot to participate
Actor Ok Taec-yeon (38) meets fans around the world with a Netflix original series, following news of his recent marriage. Netflix announced that it will unveil Ok Taec-yeon’s starring Japanese new series, ‘Soulmate ,’ in a major release on the 14th of next month.
| Yangsimoh
'Wangsa-nam' Tops 150B Won Box-Office…Showbox Records 176.3B Won Revenue in Q1 'No. 1 Distributor'

'Wangsa-nam' Tops 150B Won Box-Office…Showbox Records 176.3B Won Revenue in Q1 'No. 1 Distributor'

'The Man Who Lives With a King' Spurs a Surge in Korean Film Revenue to Double…Full Recovery of Theater Energy Perfectly Restores the Pre-COVID Cinema Scene
Distributor Showbox chalked up the top spot in domestic distributor revenue in the first quarter this year, riding on the back-to-back box-office surges of director Jang Hang-jun's films 'The Man Who Lives With a King' and 'If Our Love Were Real'.
| James choi