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Search results for "Yellow Letters"

76th Berlin International Film Festival Golden Bear Award, Ilker Catak Wins for 'Yellow Letters'

76th Berlin International Film Festival Golden Bear Award, Ilker Catak Wins for 'Yellow Letters'

German Director Wins Golden Bear After 22 Years, Catak Says 'Let’s Fight Against Dictators' in Powerful Acceptance Speech... Zandra Wheeler Wins Silver Bear for Best Actress
The highest honor of the 76th Berlin International Film Festival , the Golden Bear, was awarded to the work 〈Yellow Letters〉 by Turkish-German director Ilker Catak. ⬦ A Milestone for German Directors Winning the Golden Bear After 22 Years. . .
| 김지민
[Photo &] 76th Berlin International Film Festival Closing, Golden Bear 'Yellow Letters'...

[Photo &] 76th Berlin International Film Festival Closing, Golden Bear 'Yellow Letters'... "Let's Fight the Dictators"

Second Silver Bear for 'Zandra Wheeler'... Amid Controversy Over Wim Wenders' Remarks, Reaffirming the Identity of "Film is Politics"
The 76th Berlin International Film Festival once again proved its identity as a 'political film festival'. The highest honor of the year, the Golden Bear, went to Turkish-German director İlker Çatak for 'Yellow Letters'.
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol