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Search results for "art patronage"

BTS’ RM quietly donates 100 million won, setting standard as museum’s first global ambassador

BTS’ RM quietly donates 100 million won, setting standard as museum’s first global ambassador

The donation follows his restoration of 24 Korean paintings held overseas and will fully fund acquisitions for the museum’s collection
An art lover’s commitment and a steadfast patron of the nation’s cultural heritage RM, leader of the group ‘BTS’ and whose real name is Kim Nam-joon, is continuing his substantial efforts to preserve Korea’s traditional culture.
| James choi
Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

The original title is 《Primavera》, which means “spring” in Italian. It is the name of the first concerto among Vivaldi’s 《The Four Seasons》, and another word for liberation.
The original title of the film 〈Vivaldi and Me〉 is 《Primavera》, which means “spring” in Italian. It is also the name of the first concerto among Vivaldi’s 《The Four Seasons》, but in this context, spring is another word for liberation.
| Cineplay
Angels, Witches, Vampires: Two or Three Things You Might Want to Know About Tilda Swinton’s “Orlando” Re-Release ①

Angels, Witches, Vampires: Two or Three Things You Might Want to Know About Tilda Swinton’s “Orlando” Re-Release ①

〈Orlando〉 In 〈Orlando〉, a queen falls for the handsome noble boy Orlando (Tilda Swinton) and issues an order: “Don’t ever grow old, and don’t ever die.”
Tilda Swinton is an actress who seems like she just stepped out of a Renaissance painting. Usually, people describe actors with the phrase “untouchable,” but if I’m allowed to use that expression for only one person, I’d want it to be her.
| Joo Seong-cheol
[Joo Seong-cheol's Locker] Tony Leung Sometimes Wants to Hold an Ashtray.

[Joo Seong-cheol's Locker] Tony Leung Sometimes Wants to Hold an Ashtray.

I get fascinated by objects in movies. I ponder deeply about why the director, cinematographer, art director, or even the actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.
I sometimes hold an ashtray too. In the second meeting after director Hou Hsiao-hsien and actor Tony Leung's 〈Days of Being Wild〉 (1989), there is a scene in 〈In the Mood for Love〉 (1998) where Tony Leung suddenly acts out in a fit of rage.
| Joo Seong-cheol