Search results for "interview"

※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.

⮕ The interview with 〈Little Dreamers〉 director Lee Kwang-ho and actors Yoo Hee-je and Kim Se-won continues in Part 1. You became the architect of this dream. How did you develop the ideas for building the dream world. Did you have any references.

Geon-woo is an unemployed young man who quit baseball and now stands at a dead end in life. Mina is a teenage girl who wanders after her mother's death, unable to fit into her new surroundings. The two characters illuminated by 〈Little Dreamers〉 are burdened by their own struggles as they try to...

※The interview with actor Gong Hyo-jin for 〈Gyeongju Trip〉 continues from Part 1. Your chemistry with Park So-dam, who plays the second sister Young-ju, and Lee Yeon, who plays the youngest sister Dong-ju, felt strikingly natural on screen. What was it like working together on set.

Gong Hyo-jin’s acting carries an unusually persuasive power. Even a premise in which a character sets out to punish a heinous criminal herself, and a genre blend that shuttles relentlessly between comedy and tears, feel entirely believable because of her.

The comedy action gem “OK Madam”, which delivered feel-good laughs even amid the harsh conditions of the 2020 pandemic, returns after six years with “OK Madam 2”, expanding its scale twofold. Director “Lee Chul-ha” puts the spotlight on “Uhm Junghwa”, an actor with an aura that is impossible to...

The French-born choreographer and TV personality ‘Kani’ proved once again that she has a one-of-a-kind presence on the global stage, taking part in producing the choreography for the official theme song of the 2026 FIFA North and Central America World Cup.

Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.

There’s a film that has sparked buzz on every front, from the source material—an older sister’s schizophrenia and the parents’ confinement of her—to the production of a private documentary recorded by the family, and to the theater release format despite the absence of IPTV, VOD, OTT, and other...