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[Joo Seong-cheol's Locker] When Trees Comfort Trees, the Cello of 'The Moment the Bell Rings' and 'Can't Help It'

I become fascinated by objects in movies. I find myself deeply contemplating why the director, cinematographer, art director, or even the actors chose to place that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in films that have softly caught my eye.

〈The Moment the Bell Rings〉 Cellist Mario Brunello
〈The Moment the Bell Rings〉 Cellist Mario Brunello

Trees comfort trees. The documentary 〈The Moment the Bell Rings〉 tells the story of the millennium forest of Mount Gariwang in Jeongseon, Gangwon-do, which was destroyed to host the 2018 PyeongChang Winter Olympics. In it, Italian cellist Mario Brunello held a solo concert for the trees sacrificed for the Olympics. The issues surrounding the 2018 Olympics continue into the 2026 Olympics. Recently, in the Cortina region of the Italian Dolomites, a representative resort city in the Southern Alps known for the Ampezzo Valley, countless trees have been cut down in preparation for the 2026 Cortina-Milan Winter Olympics. The Italian government submitted an application to the IOC stating, "We will hold a sustainable Olympics that simultaneously addresses social and environmental issues," but that promise was not kept. Many of the hardwood trees destroyed to create new ski resorts were over 200 years old. Many trees were also cut down outside the planned construction sites. Mario Brunello sat in front of the fallen trees of the ski resort and played the cello to comfort those sacrificed trees.

〈The Moment the Bell Rings〉

Mario Brunello was the first Italian to win the 8th Tchaikovsky Competition in 1986, and in 2017, he participated in the Tongyeong International Music Festival honoring composer Yun Isang, delivering a wonderful performance. In 2023, he also visited Korea with the Italian Baroque ensemble 'Accademia della Nunziata' to perform a concert reviving the original sound of Bach with ancient instruments from the Baroque era. He is known for performing in nature, such as the Dolomites, which he often describes as the most beautiful place in the world, or the Sahara Desert, believing that playing in nature allows one to hear the true sound of the instrument. He is also famous for using a Maggini cello made in the 1600s, and when asked if playing the cello in rough environments like mountains or deserts damages the nearly 500-year-old instrument, he replied, "Since it is originally made of wood, I actually enjoy returning to nature. It produces a better sound." Thus, all musical instruments originally came from nature.

〈Can't Help It〉 Trailer Capture

At the moment when trees are sacrificed by excavators, and the melody of the cello comforts them, it can also be seen in Park Chan-wook's film 〈Can't Help It〉 released this year. The scenes of deforestation in both 〈The Moment the Bell Rings〉 and 〈Can't Help It〉 are remarkably similar. Just as trees are cut down for the Olympics, in 〈Can't Help It〉, the 'necks' of workers are also cut off. The trees become the paper of father Mansoo (Lee Byung-hun) and the cello of daughter Liwon (Choi Soo-yeol). At that moment, 'Le Badinage' by Mareng Maré, which means a joke or light banter, resonates through the performance of French cellist Jean-Guihen Queyras, comforting the fallen trees. At the same time, Mansoo, who has become a being that is now buried under factory machine noise and is a hindrance to AI work, is also comforted. Interestingly, Mario Brunello and Jean-Guihen Queyras shared the stage at the 73rd Gran Gala Festival last year. Did the two cellists know that their performances would resonate in Korean theaters with a similar sentiment almost simultaneously? One might say that at the moment the bell rings to announce the opening of the Olympic stadium, it can't be helped, but when a cello made of wood comforts trees, it is also inevitable that a warning bell rings deep within our hearts.

***** Starting with 'Joo Seong-cheol's Locker', which excessively attributes meaning to objects in movies, the actor's user manual 'Kim Ji-yeon's Jewelry Box', the movie music appreciation room 'Choo Ah-young's Music Box' that moved my heart, and the subculture merchant's purchase diary 'Sung Chan-eol's Comic Book' will be serialized biweekly by Cineplay reporters, each with their own tastes and perspectives. *****

[Joo Seong-cheol's Locker] The Black Speaker of 'Sirat' and the Monolith of '2001: A Space Odyssey'

[Joo Seong-cheol's Locker] The Black Speaker of 'Sirat' and the Monolith of '2001: A Space Odyssey'

I get fascinated by objects in movies. I deeply ponder why the director, cinematographer, art director, or even the actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Seong-cheol's Locker] The 'Canned Cart Camera' that Changed the History of World Cinema with 'Nouvelle Vague'

[Joo Seong-cheol's Locker] The 'Canned Cart Camera' that Changed the History of World Cinema with 'Nouvelle Vague'

I am fascinated by objects in movies. I ponder deeply why directors, cinematographers, art directors, or even actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Sung-cheol's Locker] Ahn Sung-ki is Born, I am Ahn Sung-ki

[Joo Sung-cheol's Locker] Ahn Sung-ki is Born, I am Ahn Sung-ki

I get attached to objects in movies. I deeply ponder why the director, cinematographer, art director, or actor placed that object in front of the camera. 'Joo Sung-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.

[Joo Seong-cheol's Locker] The Aesthetics of Jongmyo That Captivated Masters of Martial Arts from Ho Kim-jun to John Woo, Jackie Chan, and Sammo Hung

[Joo Seong-cheol's Locker] The Aesthetics of Jongmyo That Captivated Masters of Martial Arts from Ho Kim-jun to John Woo, Jackie Chan, and Sammo Hung

I get fascinated by objects in movies. I fall into deep contemplation about why that object was placed in front of the camera, whether it be the director, cinematographer, art director, or an actor. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Seong-cheol's Locker] The King Lear of Korea and Japan, Lee Soon-jae and Nakadai Tatsuya, Two Masters Rest

[Joo Seong-cheol's Locker] The King Lear of Korea and Japan, Lee Soon-jae and Nakadai Tatsuya, Two Masters Rest

I become fascinated by objects in movies. I fall into deep contemplation about why those objects were placed in front of the camera, whether by the director, cinematographer, art director, or actors. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Seong-cheol's Locker] What Beer Did Sergio (Benicio Del Toro) Always Carry in 'One Battle After Another'?

[Joo Seong-cheol's Locker] What Beer Did Sergio (Benicio Del Toro) Always Carry in 'One Battle After Another'?

I get fascinated by objects in movies. I ponder deeply why that object was placed in front of the camera, whether by the director, cinematographer, art director, or actor. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

I get hooked on the objects in movies. I find myself falling into deep thought—why, of all things, did the director, cinematographer, production designer, or even an actor put that item in front of the camera? “Chu Sung-cheol’s Lockers” is a record of the film props that gently but firmly captured my attention.

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.

[Joo Seong-cheol's Locker] Tony Leung Sometimes Wants to Hold an Ashtray.

[Joo Seong-cheol's Locker] Tony Leung Sometimes Wants to Hold an Ashtray.

I get fascinated by objects in movies. I ponder deeply about why the director, cinematographer, art director, or even the actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.

[Joo Sung-chul's Locker] If it's hard to visit Cheongnyeongpo of Deposed King Danjong, head to Geumseongdang of Prince Geumseong!

[Joo Sung-chul's Locker] If it's hard to visit Cheongnyeongpo of Deposed King Danjong, head to Geumseongdang of Prince Geumseong!

Located in Jingwan-dong, Eunpyeong-gu, Seoul, Geumseongdang is a shrine dedicated to the deified Prince Geumseong and also serves as a shamanism museum.

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

I can’t help but get hooked on the objects in movies. Director, cinematographer, production designer, or even an actor—why, exactly, did they put that item in front of the camera? ‘Joo Seong-cheol’s Lockers’ is a record of the movie objects that lightly landed under my gaze and, somehow, stuck there.

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