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Search results for "Classic film"

'18th Seoul International Senior Film Festival' Opens on the 27th, Screening Cannes Top Prize Winner 'First Summer' and Honoring the Late Lee Soon-jae

'18th Seoul International Senior Film Festival' Opens on the 27th, Screening Cannes Top Prize Winner 'First Summer' and Honoring the Late Lee Soon-jae

25 films to screen at Seoul Film Center from the 27th to 30th; barrier-free section and actor Lee Kwang-ki to serve as festival ambassador
Film brings generations together The 18th Seoul International Senior Film Festival, which shines a light on the lives and diverse stories of older adults, will open in grand style at the Seoul Film Center for four days, from the 27th through the 30th.
| James choi
[New Film] Jane Austen’s Classic ‘Sense and Sensibility’ Opens on the 28th, Bringing 19th-Century Romance to Life

[New Film] Jane Austen’s Classic ‘Sense and Sensibility’ Opens on the 28th, Bringing 19th-Century Romance to Life

A 133-minute adaptation of the author of ‘Pride and Prejudice,’ starring Daisy Edgar-Jones in a classic period drama
19th-century inheritance laws and the diverging fates of two sisters In matters of love, both cool reason and fiery passion can sometimes lose their way. Director Georgia Oakley’s new film, ‘Sense and Sensibility,’ delves deeply into the complexities of the human psyche through two sisters who fall...
| James choi
[Photo] Yeol Eum Son's Going Home Project: Conductorless orchestra opens exclusively at CGV on 17th

[Photo] Yeol Eum Son's Going Home Project: Conductorless orchestra opens exclusively at CGV on 17th

South Korea's first Dolby Atmos classical concert film brings Going Home Project back to the big screen Ensemble of more than 100 musicians brings Shostakovich's Symphony No. 7 to the screen
An electrifying performance by 'Going Home Project', a conductorless orchestra formed by some of the world's leading musicians, led by pianist 'Yeol Eum Son', is coming to the big screen. The film 'Going Home Project: Ravel & Shostakovich in Cinema,' opening exclusively at CGV on the 17th, is the...
| James choi
[New Film] Nouvelle Vague classic 'Celine and Julie Go Boating' gets first Korean release after 52 years

[New Film] Nouvelle Vague classic 'Celine and Julie Go Boating' gets first Korean release after 52 years

The Nouvelle Vague classic that inspired David Lynch will open in theaters nationwide on the 30th
The return of a Nouvelle Vague master who blurred the line between reality and fiction Jacques Rivette, a leading figure in the 'Nouvelle Vague' movement that drove innovation in French cinema, will finally meet Korean audiences with his landmark film 'Celine and Julie Go Boating' (1974).
| James choi
Anthony Hopkins’ First Classical Album at 86 Tops U.K. Official Chart

Anthony Hopkins’ First Classical Album at 86 Tops U.K. Official Chart

“Inspired by native composer Elgar, his homeland and his father … wants to take on film scores” “Life is a series of constant goodbyes; the album is a love letter to life”
Anthony Hopkins’ life story … ‘Life Is a Dream,’ a song he kept hidden for 60 years, tops the charts Legendary British actor Anthony Hopkins, 86, has revealed a musical talent he kept hidden behind his acting career.
| James choi
François Ozon’s “The Stranger” Flips Camus Classic 80 Years Later—No Opening Line?

François Ozon’s “The Stranger” Flips Camus Classic 80 Years Later—No Opening Line?

The film gives a narrative to the unnamed Arab’s sister, expands Marie’s role and captures Algeria’s sun in black and white; opening Sept. 30
122 minutes of striking black-and-white aesthetics, opening in theaters on Sept. 30 Albert Camus’ literary masterpiece, “The Stranger,” is indelibly associated with its stunning opening line: “Mother died today. Or maybe yesterday.
| James choi
Julia Ducournau's Daring New Film 'Alpha' Lands in South Korea Sept. 30 — 'Destined to Become a Cult Classic'

Julia Ducournau's Daring New Film 'Alpha' Lands in South Korea Sept. 30 — 'Destined to Become a Cult Classic'

Julia Ducournau's new film, from the director of 'Raw' and 'Titane,' enters the competition at the 78th Cannes Film Festival and opens in South Korea A bold body-horror film confronts the terror and revulsion of the abyss through a mark etched into a 13-year-old girl's body Release set for Sept. 30 as two teaser posters and a trailer offer an unflinching look at extreme body imagery
〈Alpha〉, the provocative new body-horror film from acclaimed director Julia Ducournau, has set Sept. 30 as its theatrical release date in South Korea and unveiled striking teaser posters and a trailer. Julia Ducournau's new film 〈Alpha〉, following 〈Raw〉 and 〈Titane〉, has drawn global attention...
| Seongchan Eol
Witness True Madness in Folk Horror Classic ‘The Wicker Man: Final Cut’

Witness True Madness in Folk Horror Classic ‘The Wicker Man: Final Cut’

The canonical folk-horror film 〈The Wicker Man〉 (1973) will receive its first South Korean theatrical release on Aug. 19 in a 4K remastered restoration, 〈The Wicker Man: Final Cut〉 (hereafter 〈The Wicker Man〉).
| Chua-young
Jean-Luc Godard Masterpiece ‘Contempt’ Gets Its First Official 4K Release in South Korea in 63 Years

Jean-Luc Godard Masterpiece ‘Contempt’ Gets Its First Official 4K Release in South Korea in 63 Years

Martin Scorsese praised Jean-Luc Godard’s best work ‘Contempt’ and it finally opens in theaters in 4K quality for the first time in 63 years
The pinnacle of the nouvelle vague arrives on Korean screens at last A landmark masterpiece destined to be etched into film history finally reaches Korean screens. Considered the aesthetic essence of the revolutionary cineaste Jean-Luc Godard, who dismantled and reassembled the grammar of cinema,...
| James choi
Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Spring isn’t just the season when flowers bloom. It’s the moment when the beings we could only hear finally begin to be seen.
For a brief moment, we may feel like we understand or truly know the other person—so convinced that we believe it. Communication through music is like that. In the deepest layer of their relationship, we see it in Vivaldi’s confession—when, in the middle of the night, he comes first to Cecilia’s...
| Cineplay