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Search results for "One-person production era"

Finished in Two Months Without Actors or Crew…A 100% AI Film Arrives

Finished in Two Months Without Actors or Crew…A 100% AI Film Arrives

From Director Kim Il-dong’s “I’m Popo” to a Chinese film where AI handled the entire process: The infiltration of generative AI into the film industry, ushering in the one-person production era
An ethical clash that erupts as artificial intelligence , equipped with consciousness and emotions, penetrates every corner of society. That is the core plot of Director Kim Il-dong’s film 'I'm Popo', set to open next month on the 21st.
| James choi
[Interview] 'The Nature Man' Director Noh Young-seok

[Interview] 'The Nature Man' Director Noh Young-seok "In the Era of One-Person Media, Let's Face It with Film"

"I have to find my way while doing it my style"
Cineplay Lee Hwa-jeong Guest ReporterIndependent film fans must have been curious. 〈The Nature Man〉 is the first new work in 11 years from Director Noh Young-seok, following 〈Day Drinking〉 (2009) and 〈Intruders〉 (2014).
| Cineplay
A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

Was the pathetic breadwinner secretly a special agent? The thrilling twist and box-office formula behind “middle-age” heroes from webtoon-based dramas including “Kim Bu-jang”
Power in the living room is shifting. Those who had been weighed down by the burden of an ordinary breadwinner responsible for the household are now waking the savage instincts they had buried when a crisis hits, and reinventing themselves as “middle-aged heroes”.
| James choi
‘Reality Queen’ Rachel Reilly, Returns to BB28 in a Flash—and Plunges Into a Fake Volcanic Eruption, ‘Death’ Elimination Shock… Who’s the Real Third Guest?

‘Reality Queen’ Rachel Reilly, Returns to BB28 in a Flash—and Plunges Into a Fake Volcanic Eruption, ‘Death’ Elimination Shock… Who’s the Real Third Guest?

Rachel Reilly returns with gusto, but during the Jurassic competition she falls into a fake volcano and gets “out” in less than a minute Host Julie Chen Moonves, personally barging into the house and dropping a “Dec. 20, 2023” bomb… Fans’ dopamine hits max volume ‘Survivor 45’ winner Dee Valladares is floated as a top contender… Her identity is revealed on Friday’s ‘Big Brother: Unlocked’
Rachel Reilly, widely regarded as one of the most distinctive characters in the history of American reality TV, made a dazzling return to Season 28 of ‘Big Brother’—only to plunge into a fake volcano within minutes of the broadcast and deliver an all-time wild “death(.
| Yangsimoh
Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

A big win for director Hong Sang-soo as it marks his 35th feature and his fifth-ever invitation to Locarno. Choi Myung-gil joins for the first time, and Kim Min-hee takes part as production chief
Where the gaze of a master lingers, the 35th aesthetics blooming in JejuDirector ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.
| James choi
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

A crew of 10 and a total budget of 26 million yen—so low it’s almost unprecedented—has pushed box-office revenue past 1 billion yen.
〈Samurai Timeslipper〉 depicts the journey of an Edo-era samurai who is ‘time-slipped’ into a movie set and ends up working as a beheading specialist actor As the film was released in Japan, starting out in just one theater, word of mouth spread and showings expanded to about 380 theaters across the...
| Joo Seong-cheol
59 Hours of Unreleased Footage Returns…Elvis Presley Reborn on the Screen

59 Hours of Unreleased Footage Returns…Elvis Presley Reborn on the Screen

The 59 hours of rare video and voice found by director Baz Luhrmann. With “EPiC,” opening July 1, the legendary stage of the “King of Rock ’n’ Roll” returns once again.
A body turned myth, a massive pop-culture ‘epic’ awakensUnder the dazzling lights of Las Vegas, the United States, there is a man who throws himself into the roar. In the fleeting moment when sweat scatters through the air, the crowd’s frenzy feels less like simple cheering and more like a...
| James choi
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon