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[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

I am curious about people. Even actors already in the spotlight can be at their least visible moment right now. "Kim Ji-yeon's Jewel Box" introduces performers who are hitting new highs day by day. Buy the dip on tomorrow's breakout stars.
I would go so far as to say she has renewed a career-defining role — specifically Seon Min-hee in 〈Notes from the Last Row〉. For an actor in her 21st year since debut, this represents a new peak. Viewers and theatergoers who have followed Han Ji-eun for years already consider her well known, yet...
Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

A big win for director Hong Sang-soo as it marks his 35th feature and his fifth-ever invitation to Locarno. Choi Myung-gil joins for the first time, and Kim Min-hee takes part as production chief
Where the gaze of a master lingers, the 35th aesthetics blooming in Jeju Director ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.
Park Se-young Returns After 4 Years, With ‘Family Relationship Certificate’ Starting at 4.3% — Mother-Daughter Conflict With Han Goeun

Park Se-young Returns After 4 Years, With ‘Family Relationship Certificate’ Starting at 4.3% — Mother-Daughter Conflict With Han Goeun

The mother-daughter conflict with Han Goeun and the intertwined secrets of two families deliver a strong sense of immersion from Episode 1
A Bloody Prelude That Splits a Perfect Routine, Swallowing the Living-Room Audience MBC’s new daily drama ‘Family Relationship Certificate’ has lifted the curtain, promising a major twist for viewers. According to Nielsen Korea, the ratings survey firm, the first broadcast the previous day scored...
Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

〈Hana Korea〉 tells one of Korean cinema’s most familiar stories in one of its most unfamiliar forms: a film by a Danish director, set in Seoul, about a North Korean defector. At times it unfolds like a Scandinavian film, yet its setting and faces are unmistakably Seoul, with Kim Min‑ha at the...
Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

One destination, five hidden thoughts! It’s a “dongsang-imong” road movie chronicling a family’s no-plan trip that’s anything but smooth.
Actor Lee Hwi-hyang steps into her first big-screen leading role with the upcoming film 〈Family Trip〉, confirmed for release this September. 〈Family Trip〉 is a “dongsang-imong” road movie with one destination and five hidden feelings—telling the story of a family that sets off on a trip with no...
[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

Kim Se-hoon and Gu Jeong-a will receive the “Lee Choon-yeon Film Award,” and a “FIPRESCI Award for International Film Critics” will also be introduced (FIPRESCI Award).
Two awards will be newly introduced. The 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, BIFAN) will bring back the “Lee Choon-yeon Film Award” this year and also introduce the “International Federation of Film Critics Award” .
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
[New Film] Four Summer Horror-Thrillers to Beat the Heat: 4 Takes, 4 Flavors

[New Film] Four Summer Horror-Thrillers to Beat the Heat: 4 Takes, 4 Flavors

From Shin Min-a’s starring vehicle, “The Pupils,” to “Scary Movie,” which returns after 13 years,
A blood-chilling counterattack at the multiplex begins—one that will freeze even the sweltering heat in an instant. This summer, four “thriller” and “horror” masterpieces, going beyond simple surprises and digging into viewers’ deepest fears, are ready to hit the screen.