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Connecting Films, Merchandise and Spaces: Next-Generation Art and Indie-Film OTT MovieLAB Launches Oct. 1

Connecting Films, Merchandise and Spaces: Next-Generation Art and Indie-Film OTT MovieLAB Launches Oct. 1

- One platform integrating online streaming, articles, a merchandise shop and offline spaces - “MOVIE” offers curation centered on art films, independent films and classics, while “LAB” features film-analysis articles - “SHOP” offers annual members discounts of up to 20%, and “SPACE” introduces independent cinemas and film cafes nationwide - Available for 9,900 won per month or 99,000 won per year; seven-day free-trial event begins Oct. 1
The full experience of watching a film — reading about it, collecting something from it and visiting an offline space — is coming together on a single platform. MovieLAB said it will officially launch MovieLAB, a film lifestyle platform connecting film streaming and curation with articles,...
Film ‘Assassin(s)’ faces historical distortion dispute; ratings split 8.4 vs. 2.4

Film ‘Assassin(s)’ faces historical distortion dispute; ratings split 8.4 vs. 2.4

After controversy erupts over a theory about who was behind the events following the film’s release on the 23rd, the Park Chung-hee Presidential Memorial Foundation calls for screenings to stop; producers dismiss the claims, calling it a fictional film shaped by imagination.
The film ‘Assassin ’, which brings the shooting of Yuk Young-soo to the screen, has become the focus of a fierce dispute over historical distortion. In the wake of its release, ratings from actual moviegoers and online users have sharply diverged at 8. 4 and 2.
Critic Kim Na-hee on 'The Assassins': “With the Pen, the Body and Music” ②

Critic Kim Na-hee on 'The Assassins': “With the Pen, the Body and Music” ②

※ 〈The Assassins〉 review continues from Part 1. This article contains spoilers for the film.
Yoo Hae-jin, Park Hae-il, Lee Min-ho's 'Assassins' Surpasses 1.5 Million During Chuseok Holiday!

Yoo Hae-jin, Park Hae-il, Lee Min-ho's 'Assassins' Surpasses 1.5 Million During Chuseok Holiday!

It holds the top spot at the holiday box office, emerging as Chuseok's big winner
Well-crafted historical pursuit thriller upends the box-office landscape The 'Yook Young-soo assassination' rocked South Korea in 1974. 'Assassins', a film that probes the mystery hidden behind the event, is creating a major stir at theaters.
Director Kim Jee-woon brings A Tale of Two Sisters back after 20 years at LA's first Korean film festival: 'Film is a universal language; I believe in the power of stories'

Director Kim Jee-woon brings A Tale of Two Sisters back after 20 years at LA's first Korean film festival: 'Film is a universal language; I believe in the power of stories'

Invited as a new Academy member this year, Kim Jee-woon helps prove the strength of K-content in the heart of Hollywood on the 26th
A milestone for 'K-content' planted in the heart of Hollywood The 'LA Korean Film Festival' opened for the first time in Los Angeles, the spiritual home of cinema. The plan to showcase the best of Korean film in the heart of Hollywood was bold, but some questioned whether it could win over the...
[New Film] Nouvelle Vague classic 'Celine and Julie Go Boating' gets first Korean release after 52 years

[New Film] Nouvelle Vague classic 'Celine and Julie Go Boating' gets first Korean release after 52 years

The Nouvelle Vague classic that inspired David Lynch will open in theaters nationwide on the 30th
The return of a Nouvelle Vague master who blurred the line between reality and fiction Jacques Rivette, a leading figure in the 'Nouvelle Vague' movement that drove innovation in French cinema, will finally meet Korean audiences with his landmark film 'Celine and Julie Go Boating' (1974).
Chuseok Theater Spread: What Works—and What Doesn’t—in 〈The Intern〉, 〈Assassin(s)〉 and 〈Tazza: Belzebub’s Song〉

Chuseok Theater Spread: What Works—and What Doesn’t—in 〈The Intern〉, 〈Assassin(s)〉 and 〈Tazza: Belzebub’s Song〉

Chuseok has arrived, and with it comes a wave of Korean releases vying for holiday audiences over the long break. A variety of movies are opening now, each hoping to capture viewers during the holiday. CinePLAY reporters previewed three titles that have drawn the most attention and anticipation.
〈My First Action〉 Chronicles Debut Struggles of 31 Leading Korean Directors

〈My First Action〉 Chronicles Debut Struggles of 31 Leading Korean Directors

A look at the aspiring-filmmaker years of Bong Joon-ho, Park Chan-wook, Jang Hang-jun, Yoon Ga-eun and others—when they knew neither the ending nor anything but failed takes
〈My First Action〉, a two-volume nonfiction essay vividly recounting the arduous debut journeys of 31 leading directors who have shaped South Korea's film industry, will be published Sept. 25. The book tells the stories of the anxious, fiercely competitive years these directors spent as aspiring...
[Photo &] “Audience response matters more than awards”: Lee Chang-dong returns in triumph with Silver Lion after 24 years — audiences can see it in theaters first on the 23rd

[Photo &] “Audience response matters more than awards”: Lee Chang-dong returns in triumph with Silver Lion after 24 years — audiences can see it in theaters first on the 23rd

Global Netflix exclusive release on Nov. 6 Seol Kyung-gu and Jeon Do-yeon, Jo In-sung and Jo Yeo-jeong portray couples from different worlds: “Money and class can take away a person’s value”
A preview screening and press conference for director Lee Chang-dong’s new film ‘Possible Love’ took place on the 21st at ‘CGV Yongsan I’Park Mall’ in Yongsan-gu, Seoul. Lee, who achieved a landmark feat 24 years after winning the ‘Silver Lion’ at the 83rd ‘Venice International Film Festival’, said...
Interview: Yoo Hae-jin on 30 Years of Acting: 'At Times I Feel I've Done Well, but I Also Think I Need to Work Harder'

Interview: Yoo Hae-jin on 30 Years of Acting: 'At Times I Feel I've Done Well, but I Also Think I Need to Work Harder'

This interview with 〈Assassins〉 actor Yoo Hae-jin continues from Part 1. One striking scene shows Cheol-gu trudging forward without saluting the flag as the national anthem plays. The sense of betrayal Cheol-gu must have felt — that emptiness — was the key thing.