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Why Is the Title “Renoir”? Director Chie Hayakawa Shares Her First Impressions of Visiting Korea!

Why Is the Title “Renoir”? Director Chie Hayakawa Shares Her First Impressions of Visiting Korea!

“It’s Okay to Misunderstand”—A Request for Free Interpretation… Meeting Korean Audiences for 2 Nights and 3 Days Starting the 23rd
The film is an entry in the main competition at the 78th Cannes Film Festival and director Chie Hayakawa’s new work, 〈Renoir〉, is raising anticipation by delivering the director’s intentions behind its distinctive title along with news of her visit to Korea.
| Chua-young
Jeong Juri Director ‘Dora’ Invited to Directors’ Fortnight at the 79th Cannes Film Festival

Jeong Juri Director ‘Dora’ Invited to Directors’ Fortnight at the 79th Cannes Film Festival

Starring Sakura Ando and Kim Do-yeon, an original narrative inspired by Freud’s ‘Dora’ case study Directors’ Fortnight Committee Chair Julien Rege praises the film as “a bold and original exploration within the context of Korean cinema”
Director Jeong Juri’s third feature film ‘Dora ’ has been officially invited to the 79th Cannes International Film Festival under Directors’ Fortnight (Quinzaine des Cinéastes). With this, Jeong has achieved the rare feat of three consecutive Cannes appearances, with every feature film—from her...
| Yangsimoh
Kim Do-yeon × Ando Sakura in the Lead! Jeong Juri’s New Film ‘Dora’ Invited to the Directors’ Fortnight at the Cannes Film Festival!

Kim Do-yeon × Ando Sakura in the Lead! Jeong Juri’s New Film ‘Dora’ Invited to the Directors’ Fortnight at the Cannes Film Festival!

The film captures the process of two people wounded in both body and mind getting swept up in a whirlwind of complicated emotions, brought to life through Jeong Juri’s signature delicate direction.
On Tuesday, April 14, the Executive Committee of the Directors’ Fortnight of the 79th Cannes Film Festival announced Jeong Juri’s new film 〈Dora〉 as an invited title. Following Jeong Juri’s previous works 〈Dohyiya〉 and 〈The Next So-hee〉 (Closing Film of Critics’ Week), this marks a further...
| Joo Seong-cheol
“Renoir” director Chie Hayakawa begins her Korea visit schedule on the 23rd and meets Korean audiences…

“Renoir” director Chie Hayakawa begins her Korea visit schedule on the 23rd and meets Korean audiences…

To coincide with the film’s release on April 22, she plans to communicate directly with local audiences from Thursday, April 23, through Saturday, April 25 After being invited about half a year ago to the 30th Busan International Film Festival in the “Window to Asian Cinema” section, she is returning to Korea An invited competition title at the 78th Cannes International Film Festival based on the director’s autobiographical memories, “Renoir”
Director Chie Hayakawa is coming to meet Korean audiences. On April 13, Director Chie Hayakawa, who directed 〈Renoir〉, announced her upcoming visit to Korea. The film opens on April 22, and the following day, from Thursday, April 23, through Saturday, April 25, she will meet with audiences.
| Seongchan Eol
Nah Hong-jin’s First New Film in 10 Years, “Hope,” Confirms North American Release with NEON, the Distributor of “Parasite”

Nah Hong-jin’s First New Film in 10 Years, “Hope,” Confirms North American Release with NEON, the Distributor of “Parasite”

Following an invitation to the 79th Cannes International Film Festival’s International Competition section, it signs a partnership with global distributor NEON Chosen by NEON, which distributed six consecutive films that won the Palme d’Or—including “Parasite”—it proves it’s a highly anticipated global release A lavish cast including Hwang Jung-min, Jo In-sung, and Michael Fassbender... After its debut at Cannes, it lands in Korean theaters this summer
〈Hope〉 has confirmed its North American release after making its way to the Cannes Film Festival, signaling its global comeback.Director Nah Hong-jin’s new film 〈Hope〉 tells the story of Beom-seok, the director of the Hope Port office in the Demilitarized Zone, who hears from local youths that a...
| Seongchan Eol
[Photo &] Emergency Martial Law film “Ran 12.3,” Lee Myung-se, “The strength of K-democracy— the world must see it” at a press preview event

[Photo &] Emergency Martial Law film “Ran 12.3,” Lee Myung-se, “The strength of K-democracy— the world must see it” at a press preview event

The urgency of December 3, recreated with citizen videos and AI. The cinematic documentary “Ran 12.3,” completed with 15,000 sponsors, releases on the 22nd
Director Lee Myung-se returns to the screen with the ‘Emergency Martial Law’ documentary ‘Ran 12. 3’A standout visualist in the Korean film industry, director Lee Myung-se, has returned with the documentary ‘Ran 12. 3’ about the emergency ‘Emergency Martial Law’ events on December 3, 2024.
| James choi
Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Director Jang Hang-jun, who became the director with a blockbuster hit for the first time with “The Man Who Lives with a King,” has brought back the story he treasures most, “Rebound,” as it reopens in theaters on April 3, returning to this spring’s moviegoing scene.
| Chua-young

"The King’s Warden" Steadies Its Momentum, Surpassing 16 Million Moviegoers in 61 Days—Chasing the #2 All-Time Spot

"The King’s Warden," starring Yoo Hae-jin and Park Ji-hoon, has broken the cumulative 16.09 million mark as of April 5, setting a new record Director Jang Hang-jun delivers his personal best box-office performance and firmly settles into the #3 spot in the all-time Korean film box office With just a 170,000-audience gap separating it from the all-time #2 film "Extreme Job," all eyes are on whether it can reclaim the second-place position while the "10 Million" craze continues
〈The King's Warden〉 has surpassed 16 million viewers. According to the Integrated Ticketing Network for Movie Theater Admissions, 〈The King's Warden〉 drew 94,406 viewers on April 5, bringing its cumulative audience count to 16. 09 million.
| Seongchan Eol
Jeonju International Film Festival Announces 10 Films in the International Competition Section…Carefully Selected from Submissions by 70 Countries Worldwide

Jeonju International Film Festival Announces 10 Films in the International Competition Section…Carefully Selected from Submissions by 70 Countries Worldwide

An international competition section featuring Asia premieres by emerging directors who have directed fewer than three feature films A lineup ranging from “If I Go, Will You Miss Me?”—which drew attention at Sundance—to Turkey’s “Stone and Feather,” and more The film festival will be held for 10 days in the Jeonju Film Street area from Wednesday, April 29, to Friday, May 8.
Ahead of the opening, the Jeonju International Film Festival unveiled this year’s International Competition lineup. Now in its 27th edition, the Jeonju International Film Festival announced 10 films selected for the International Competition on April 3.
| Seongchan Eol
Bong Joon-ho’s Next Film Unveiled…First Look at First Feature-Length Animated Film ‘Ally’ Released as Stills

Bong Joon-ho’s Next Film Unveiled…First Look at First Feature-Length Animated Film ‘Ally’ Released as Stills

Information on the adventure animation ‘Ally,’ set against the backdrop of the deep-sea ecosystem, is revealed by the U.S. outlet ‘Variety’ An adventurous film packed with thrilling deep-sea exploration, centered on Ally, a baby squid from the South Pacific who dreams of appearing in documentary programming Screenwriting collaboration includes Kim Jae-hyung, an animator for ‘Inside Out,’ and director Yoo Jae-seon, who directed ‘Sleep’…Aiming for a 2027 release
The next animation by Director Bong Joon-ho has unveiled stills for the very first time. On April 3 , the U. S. media outlet ‘Variety’ reported on Director Bong Joon-ho’s production of the next work, 〈Ally〉 . In that article, stills from 〈Ally〉 were released for the first time, drawing attention.
| Seongchan Eol