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Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Director Kim Tae-yong’s work ‘Number One’ adds Kim Jun-han’s voice to a barrier-free version produced for people with visual and hearing impairments “Thank you for inviting me to take part in a meaningful project that shares warm-hearted feelings,” he said, joining efforts to break down barriers Produced with support including HD Hyundai Oilbank, the barrier-free version will meet viewers starting in late August through community screenings and booking requests
Kim Jun-han lent his voice so the sincerity of 〈Number One〉 could reach more people.The non-profit organization the Barrier-Free Film Commission held a voice-over recording session at the Seoul Economic Development Institute’s Media Content Center in Seoul last June for the production of a...
| Seongchan Eol
[Box Office] ‘Toy Story 5’ Passes 2 Million Admissions

[Box Office] ‘Toy Story 5’ Passes 2 Million Admissions

Shin Min-a leads with ‘Eye-dongja’ at 359,000-plus viewers (32.7% share) in second; ‘Goonche’—a K-zombie tale—lands third; Timothée Chalamet’s ‘Matti Supreme’ takes fourth
Disney-Pixar’s masterpiece ‘Toy Story 5’ completely dominated the weekend theater scene in its third week of release, easily surpassing the 2 million-admissions mark.A comeback of the analog in the digital age—stealing the hearts of 2 million viewersAccording to data from the Integrated Ticketing...
| James choi
Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.
| Kim Ji-yeon
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
| Kim Ji-yeon
[Seong Chan-eol’s Comic Books] She Lied Her Way Into the School Heartthrob’s Engagement in 〈The Glory of Yuriko the Liar〉

[Seong Chan-eol’s Comic Books] She Lied Her Way Into the School Heartthrob’s Engagement in 〈The Glory of Yuriko the Liar〉

I am obsessed with subculture. I look into anything that handles fresh stories, themes, or characters—not only films but webtoons, games, manga, and animation. Having entered fandom through comics, I’ve grown into the kind of adult who reads manga as e-books and webtoons on a smartphone while still...
| Seongchan Eol
[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

With the thriller starring Min-a Shin taking the No. 1 spot at the box office, “Toy Story 5,” which leads in advance ticket sales, is set for a fierce weekend showdown.
The weekend theater scene is buzzing with a clash between chilly K-mystery and warm Hollywood-style kid-at-heart wonder. Shin Min-a’s well-made thriller, Eye Pupils, knocked Disney and Pixar’s hit juggernaut, Toy Story 5, taking a commanding run to the top of the box office.
| James choi
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
| Chua-young
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

Philippe Bober, producer of 〈Triangle of Sadness〉 and 〈The Square〉, joins as co-producer
Park Se-young's new film 〈The Fin〉, from the director of 〈The Fifth Thoracic Vertebra〉, has set a July 22 release in South Korea and unveiled its main poster. 〈The Fin〉 is a dystopian art-house science-fiction film set in a near-future, unified Republic of Korea where genetically mutated "Omega"...
| Kim Ji-yeon
Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

※ This interview with Gong Myung, star of 〈Husbands〉, continues from Part 1. The animal clinic van got a lot of laughs in the film. What was your first impression when you saw the clinic van. Also, the van’s drift action was striking—how did you prepare for that. It was so adorable.
| Kim Ji-yeon