Search results for "Seo I-ra"

[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

With the thriller starring Min-a Shin taking the No. 1 spot at the box office, “Toy Story 5,” which leads in advance ticket sales, is set for a fierce weekend showdown.
The weekend theater scene is buzzing with a clash between chilly K-mystery and warm Hollywood-style kid-at-heart wonder. Shin Min-a’s well-made thriller, Eye Pupils, knocked Disney and Pixar’s hit juggernaut, Toy Story 5, taking a commanding run to the top of the box office.
‘OK Madam 2’ Set for Release on Aug. 12! Ready for an All-Out Summer of Comic Action OK!

‘OK Madam 2’ Set for Release on Aug. 12! Ready for an All-Out Summer of Comic Action OK!

Families of former legendary agent Mi-young, who left on a lavish cruise trip, get caught up in a cruise kidnapping incident on the open blue sea.
With the release set nationwide in theaters on Wednesday, Aug. 12, the launch poster for 〈OK Madam 2〉 shows 엄정화 as “Mi-young,” a legendary agent who soon gets pulled into a cruise kidnapping case while on vacation, after briefly living as the owner of an ordinary twisted-dough snack shop.
Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

〈Hana Korea〉 tells one of Korean cinema’s most familiar stories in one of its most unfamiliar forms: a film by a Danish director, set in Seoul, about a North Korean defector. At times it unfolds like a Scandinavian film, yet its setting and faces are unmistakably Seoul, with Kim Min‑ha at the...
[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

MC lineup including Seo In-guk and Lee Eun-ji takes the stage— A reality romance return upgraded with a fourfold surge in applicants compared with the previous season and the introduction of new rules.
Between purity and audacity, a reopened project to spark romanceLast year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...
'5·18 Mockery Row' Sparks PaiChai High School to Abruptly Pull 'Fire Baseball 2' Ahead of Broadcast

'5·18 Mockery Row' Sparks PaiChai High School to Abruptly Pull 'Fire Baseball 2' Ahead of Broadcast

A Field That Disregarded the Weight of History, and a Steadfast 'Red Card' for EntertainmentThis is a decision that goes beyond simple sports entertainment. Popular baseball variety program 'Fire Baseball 2' has taken a firm measure after recognizing the seriousness of the 'Local Put-Down...
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
A Blood-Red Curse Overruns the Palace! ‘The East Palace’ Main Poster & Teaser Trailer Released, Special Posters Unveiled!

A Blood-Red Curse Overruns the Palace! ‘The East Palace’ Main Poster & Teaser Trailer Released, Special Posters Unveiled!

Koo Cheon (Nam Joo-hyuk), who can move between the world of the ghoi(ghosts), and Saenggang (No Yoon-seo), a palace maid who keeps a secret, receive a summons from the king (Jo Seung-woo).
Netflix series 〈The East Palace〉 has released its main poster, main teaser trailer, and special posters, raising expectations further with the story of how Koo Cheon (Nam Joo-hyuk), who can move between the world of ghoi , and Saenggang (No Yoon-seo), a palace maid who keeps a secret, are summoned...
Witness the fully formed action of Lee Dong-wook! ‘Killer Shopping Mall Season 2’ confirmed for release on July 22

Witness the fully formed action of Lee Dong-wook! ‘Killer Shopping Mall Season 2’ confirmed for release on July 22

Viewers are drawing intense attention to the fact that Jin-man (Lee Dong-wook)—the uncle they thought was dead—will have his hidden backstory unveiled in earnest.
Disney+’s original series 〈Killer Shopping Mall〉—which swept the world into a “Killer Shopping Mall” frenzy—has confirmed the release of its second season on July 22. Along with the announcement, the series let viewers know that Jin-man—an uncle they believed was dead (Lee Dong-wook)—will have his...
An Incident That Shook the Daily Life of an Ordinary High School Girl! ‘The Gorals’ Confirmed for Release on July 29 and Main Poster Unveiled!

An Incident That Shook the Daily Life of an Ordinary High School Girl! ‘The Gorals’ Confirmed for Release on July 29 and Main Poster Unveiled!

It depicts how four girls, who were wandering and worrying for different reasons, come together to save small lives.
The main poster for 〈The Gorals〉, released, captures with playful flair the distinct personalities and unpredictable adventure of the quartet of ‘Gorals’—drawing attention immediately. The characters look at one another with their own different expressions and gazes, or stare straight ahead,...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.