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Search results for "TIME OF CINEMA"

Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

The two works were invited to the Bucheon International Fantastic Film Festival’s [Platform Planning Exhibition: Short-Form Cinema],
The Bucheon International Fantastic Film Festival, which marks its 30th anniversary this year, is a leading domestic festival that has actively introduced new formats and content, focusing on genre films. The two works were invited to [Platform Planning Exhibition: Short-Form Cinema] within the...
| Joo Seong-cheol
Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Amid the spotlight, master filmmakers Lee Joon-ik and Lee Won-suk’s short-form challenge lands consecutive invitations to Bucheon International Fantastic Film Festival and the New York Asian Film Festival
The fleeting aesthetics seen through a master’s gaze. Director Lee Joon-ik’s ‘Father’s Home-Cooked Meal’ and Director Lee Won-suk’s ‘Beloved Death’ are ready to ignite all five senses of genre-film fans around the world—and short-drama fans alike—with a brief yet forceful narrative.
| James choi
[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

A record-breaking scale with 321 films screened across 50 countries. AI and short-form categories are added as the curtain rises on a new-genre festival
A massive comeback for 'Asia's largest genre film festival' — bold lineup for the 30th BIFAN'Asia's largest genre film festival' has returned in grand form, proving its clout. The 'Bucheon International Fantastic Film Festival' ('BIFAN') is back with the best-ever lineup.
| James choi
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

South Korea’s theaters are in an unprecedented state of infection right now. Created by director Yeon Sang-ho, the K-zombie milestone of ‘Swarm’ has completely wrecked the weekend box office while displaying overwhelming dominance for its third week of release.
| James choi
‘Odyssey’ Robert Pattinson Also Praises This Summer’s Top Must-See! “On the Set” Video Released

‘Odyssey’ Robert Pattinson Also Praises This Summer’s Top Must-See! “On the Set” Video Released

Robert Pattinson as Antinous, hunting for the opening left behind by the non-returning Odysseus, said, “From the audience’s perspective, you find yourself imagining what it would be like to watch this film. I want to see it soon.”
With its domestic release set for Aug. 5, the film 〈Odyssey〉, hailed as one of the summer’s biggest must-sees, is drawing attention by unveiling an “On the Set” video that captures the vivid scenes from the shoot and the candid stories of the director and cast.
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young