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Search results for "A-List Film Festival"

Indieground Special Screening: “Cine Academy: An Introduction to Short Films” to Run On and Off Line!

Indieground Special Screening: “Cine Academy: An Introduction to Short Films” to Run On and Off Line!

The program features two themes—an “Introduction” section, and a “Deep Dive” section that lets audiences enjoy the expanded possibilities of original viewpoints and formats—showing a total of eight short films.
This special screening was planned to lower the barrier to going to the theater and to introduce Korean short films more broadly, while also giving audiences a chance to discover their own cinematic tastes through distinctive works.
| Joo Seong-cheol
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
| Joo Seong-cheol
‘Hong Kong Film Gala Presentation’ Kicks Off at emu Artspace on June 26

‘Hong Kong Film Gala Presentation’ Kicks Off at emu Artspace on June 26

Opening lineup includes 〈Someone Like Me〉, followed by 〈A Better Tomorrow〉 〈Rouge〉 〈Once a Thief〉 〈In Broad Daylight〉, among others, with 10 Hong Kong films screened.
The Asian Film Awards Academy said it will host 〈Hong Kong Film Gala Presentation〉 at emu Artspace, Seoul’s leading arts venue, for 10 days from June 26 to July 5. Carrying forward the academy’s mission of cultural exchange through Asian film, the event features movie screenings, a themed...
| Joo Seong-cheol
Cannes Winner ‘Bring Me to the Back Seat’ Original Novel Tops eBook Charts Immediately After Release

Cannes Winner ‘Bring Me to the Back Seat’ Original Novel Tops eBook Charts Immediately After Release

The original novel of the Cannes Film Festival screenwriting winner, released in South Korea, shot to No. 1 on bestseller lists at the same time theaters won hearts.
The aftershocks of the masterfully crafted masterpiece chosen by the Cannes Film Festival are rippling beyond the screen, creating a seismic shift in the publishing world. The ‘Bring Me to the Back Seat Original Novel’, released through official channels in South Korea on the 15th, regained...
| James choi
'K-Pop Demon Hunters' Marks 1 Year With a Record-Shattering Run

'K-Pop Demon Hunters' Marks 1 Year With a Record-Shattering Run

A year after its worldwide release on June 20, 2025, Netflix's 〈K-Pop Demon Hunters〉 continues to set major streaming and music-chart records. The film was released worldwide on June 20, 2025, and more than a year later remains a frequent topic of conversation.
| Seongchan Eol
Dwayne Johnson Returns as a UFC Legend in “The Smashing Machine,” Set for Release in 2026

Dwayne Johnson Returns as a UFC Legend in “The Smashing Machine,” Set for Release in 2026

Hollywood A-list Dwayne Johnson undergoes a flawless transformation into legendary fighter Mark Kerr, earning a first-ever Golden Globe nomination for best actor in a motion picture—drama Benny Safdie directs solo, winning the Best Director award (Silver Lion) at the Venice International Film Festival to prove its global cinematic merit A fighter who dominated the early UFC and MMA scene in the early 1990s faces both glory and collapse, including a brutal fight against drug addiction
〈The Smashing Machine〉 has confirmed its Korea release and unveiled the first teaser poster. A poster showcasing Dwayne Johnson’s overpowering acting transformation the film 〈The Smashing Machine〉 said it will meet audiences in Korean theaters in the second half of 2026.
| Seongchan Eol
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

The 79th Cannes International Film Festival, where Park Chan-wook’s poise and humor set the tone for the closing ceremony. Behind-the-scenes details from the Christian Mungiu Palme d’Or win and a warm, upbeat jury
‘The 79th Cannes International Film Festival’, a closing ceremony ruled by Park Chan-wook’s poise and humor“To speak honestly, the Palme d’Or is not a prize I wanted to give to anyone. That’s because it’s an award I’ve never received.
| James choi