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[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

I am curious about people. Even actors already in the spotlight can be at their least visible moment right now. "Kim Ji-yeon's Jewel Box" introduces performers who are hitting new highs day by day. Buy the dip on tomorrow's breakout stars.
I would go so far as to say she has renewed a career-defining role — specifically Seon Min-hee in 〈Notes from the Last Row〉. For an actor in her 21st year since debut, this represents a new peak. Viewers and theatergoers who have followed Han Ji-eun for years already consider her well known, yet...
Park Jung-min and Aiki Take the Stage as BIKY Opens on Aug. 8

Park Jung-min and Aiki Take the Stage as BIKY Opens on Aug. 8

The festival expands from Haeundae to West Busan, screening 179 films from 41 countries and holding a star-hosted talk show
BIKY’s evolution: a screen revolt for the next generation, expanding its territory all the way to West Busan The "21st Busan International Children’s and Youth Film Festival" , which boasts the largest scale in Asia, will kick off its run from Aug. 8 through Aug. 14.
Disco King ‘Village People’ Vocalist Victor Willis Dies at 74

Disco King ‘Village People’ Vocalist Victor Willis Dies at 74

The main vocalist of ‘Village People’ and co-writer of legendary hits ‘Y.M.C.A.’ and ‘Macho Man,’ as well as a charismatic police-officer look A maestro who led the disco era of the 1970s to its golden age leaves the world Deep mourning across the global pop world… “A hero who delivered the most joyful dance to humanity, transcending generations and borders”
Victor Willis (Victor Willis·74), the main vocalist and co-founder of the legendary American six-member group ‘Village People,’ which shook club scenes and the pop world around the globe in the 1970s and led disco music’s golden age, has died.
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...
The Warm Mom of an Alien ‘ALF’… Veteran Actress Anne Schedeen Dies at 77

The Warm Mom of an Alien ‘ALF’… Veteran Actress Anne Schedeen Dies at 77

She played Kate Tanner, the woman at the heart of the 1980s legendary sitcom ‘ALF’ A key star of the TV golden age spanning the 1970s and 1980s, including ‘Cheers’ and ‘Three’s Company’… Dies at 14 A master of acting who overcame extreme shyness… In her later years, devoted herself as a charity worker for people in need
Veteran actress Anne Schedeen, who played the kindhearted and wise mother ‘Kate Tanner,’ welcoming the alien into her family in the legendary American sitcom ‘ALF ’ that aired in South Korea in the 1980s and drew huge popularity, has died.
'Singing Dentist' Lee Ji Makes a Bold Switch After 17 Years, Going From Seoul National University Dental School Graduate to Trot Singer

'Singing Dentist' Lee Ji Makes a Bold Switch After 17 Years, Going From Seoul National University Dental School Graduate to Trot Singer

Returns with new song 'Our Oppa-Ya,' drawing attention with lyrics that liken dental care to romance as it climbs to the top ranks on YouTube charts.
'17 Years of Silence' Seoul National University dentist who broke it, 'Trot' shaking up the scene Lee Ji (Lee Ji-young), returning to the music industry after a long 17-year hiatus, is proving anything but ordinary.
[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

※〈The Legend of Kitchen Soldier〉 actor Park Ji-hoon's interview continues from Part 1. 〈The Legend of Kitchen Soldier〉 features many well-known comedic actors. In particular, the chemistry with Lee Hong-nae, who plays Sergeant Yoon Dong-hyun, stood out.
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...