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[Weekend Box Office] Choi Min-sik and Han So-hee's 'The Intern' Tops Chart for Second Day, Upsets 10.96 Million-Viewer 'The Odyssey'

[Weekend Box Office] Choi Min-sik and Han So-hee's 'The Intern' Tops Chart for Second Day, Upsets 10.96 Million-Viewer 'The Odyssey'

The film drew 46,000 viewers the previous day as new releases opening on the 23rd rapidly close the gap in advance bookings
An ensemble that transcends generations shakes up the box office 'The Intern,' a remake led by Korean film veteran Choi Min-sik and rising star Han So-hee, is creating a fresh sensation at theaters. According to data from the Korean Film Council's integrated ticketing system on the 18th, 'The...
Weekend Box Office: Nolan’s The Odyssey is first film shot entirely in IMAX … Servers crash as presales hit 72.5%

Weekend Box Office: Nolan’s The Odyssey is first film shot entirely in IMAX … Servers crash as presales hit 72.5%

The film holds the No. 1 spot with a 63% share of revenue, while Spider-Man takes aim at 8 million admissions
Cumulative admissions surpass 6.78 million, with an overwhelming visual spectacle that minimizes computer-generated imagery An unprecedented ticket war as a master filmmaker’s return takes over theaters Director Christopher Nolan’s masterpiece The Odyssey is generating a box-office surge that has...
[Box Office] 'Toy Story 5' Returns After 7 Years, Takes No. 1 With 710,000 Over the Weekend

[Box Office] 'Toy Story 5' Returns After 7 Years, Takes No. 1 With 710,000 Over the Weekend

Ages 〉The toy adventures taking on smart devices drive 'Toy Story 5,' which draws more than 710,000 viewers over its opening weekend to reclaim the No. 1 spot with overwhelming box-office results
A rousing counterpunch from 'Analog Toys' flips the theater-going box-office landscape Disney and Pixar's masterpiece, 'Toy Story 5,' reclaimed the top spot at home by displaying overwhelming audience-drawing power during its opening weekend.
[Weekend Theater] Toy Story 5 Returns After 7 Years, Dominates Theaters With a 47% Booking Rate

[Weekend Theater] Toy Story 5 Returns After 7 Years, Dominates Theaters With a 47% Booking Rate

A counterattack from toys that lost children to smart devices. Right after release, it sweeps both the box office and booking-rate charts to signal a major surge at the box office
Pixar’s masterpiece, which has broken a long seven-year silence, Toy Story 5 shook up the weekend theater scene and announced the king’s return. It’s more than a hit—it’s the rekindling of a cultural phenomenon that cuts across generations.
[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

“Gunche” stays No. 1 at the box office for four straight weeks, as “Toy Story 5,” returning after seven years, leads in advance ticket sales
K-zombie thrillers that overwhelmed theaters in the off-season: Yeon Sang-ho’s “Gunche” conquers the 5 million mark “Gunche,” a new K-zombie apocalypse created by director Yeon Sang-ho, held its ground at the very top of the weekend box office even in its fourth week since release.
[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’ South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

“Intelligence-hunting zombies” and the bold premise win praise as “Swarm” surpasses 2.5 million cumulative viewers, setting up expectations to reach the break-even point this weekend
A new benchmark for evolving K-zombies: “Swarm,” a main poster that reflects Yeon Sang-ho director’s relentless universe. The overwhelming horror and a philosophy of survival are perfectly condensed into a single image.
[Theater News] Summer Exclusivity Is Over…‘Scream 7’ and ‘Salmokji’ Square Off in April’s Horror Lineup

[Theater News] Summer Exclusivity Is Over…‘Scream 7’ and ‘Salmokji’ Square Off in April’s Horror Lineup

Neve Campbell in ‘Scream 7,’ Kim Hye-yoon in ‘Salmokji,’ and Blumhouse’s new ‘Lee Cronin’s The Mummy.’ April’s horror lineup that brings an end to the “summer-only” era.
[Planning] Summer exclusivity is over—An April lineup of ‘horror films’ takes over the theater scene ‘Horror films’ are no longer considered “summer-only. ” In the upcoming April theater season, chilling ‘horror films’ are rolling out one after another, right in the spotlight.

"Be Careful, You Can Pop Corn!"… 'Sister' Takes the Top Spot at the Korean Box Office

Overwhelming synergy of Jung Ji-so, Lee Soo-hyuk, and Cha Joo-young… Takes the top spot among Korean films released on the same day
The film 〈Sister〉, featuring the shocking theme of a sister kidnapping over a huge ransom, has topped the Korean box office on its opening day, marking the start of a full-blown thriller craze. 〈Sister〉 is a kidnapping thriller that depicts the truth between ‘Hae-ran’ (played by Jung Ji-so), who...
'Taming Your Boss' Tops Box Office on Opening Day... Sam Raimi's 'High-Stakes Survival' Hits the Mark

'Taming Your Boss' Tops Box Office on Opening Day... Sam Raimi's 'High-Stakes Survival' Hits the Mark

Overwhelmingly at the top among simultaneous releases... Recorded a CGV Golden Egg Index of 95%, sparking word-of-mouth
The high-stakes survival thriller 〈Taming Your Boss〉, which has garnered attention with the return of master director Sam Raimi, shot to the top of the box office for all foreign films and simultaneous releases on its opening day, signaling the start of its box office success.