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[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
K-Drama Festival 2026 Brings Korean Culture to Tokyo and Osaka in November

K-Drama Festival 2026 Brings Korean Culture to Tokyo and Osaka in November

A four-day celebration for Korean drama fans will be held in Tokyo on Nov. 19–20 and Osaka on Nov. 24–25 Highlights screenings, live performances of hit OSTs and behind-the-scenes talks with the stars Korean Wave stars set to appear include singer K.Will and Monday Kiz, and actors Yoon Sang-hyun, Kim Dong-wan and Bae Yoo-ram
A special festival offering a multifaceted celebration of Korean dramas, 'K-Drama Festival 2026,' will bring excitement to Japan this November. A forum for sharing K-content through screenings, music and conversation According to the music and broadcasting industries, the event will run for four...
[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

『Korean Queer Film History 2022–2025』, documenting queer films that screened in Korea from 2022 to 2025 through criticism by five critics and interviews with five directors, will also be published.
※ Continued from the first article on picks from the 16th Seoul International PRIDE Film Festival. The Seoul International PRIDE Film Festival’s “Asia Pride” section is a chance to discover a diverse range of queer films made in Asia.
[Interview] A Love Letter to Life, Humanity and Korea: ‘Journey There’ Star Justin H. Min, Part 2

[Interview] A Love Letter to Life, Humanity and Korea: ‘Journey There’ Star Justin H. Min, Part 2

※The interview with Justin H. Min about 〈Journey There〉 continues from Part 1. As we discussed earlier, music plays an important role in this film, and you play a conductor. The concert scene at the end was especially striking. How did you prepare for it.
Director Kim Da-min and Executive Producer Han Jun-hee Reveal the Story Behind Dead-End Job, a Horror Series About the Struggle to Make a Living

Director Kim Da-min and Executive Producer Han Jun-hee Reveal the Story Behind Dead-End Job, a Horror Series About the Struggle to Make a Living

Premiering October 30, the Netflix series 〈​Dead-End Job​〉​ follows young Hyuk-jun through nightmarish workplaces, beginning with a strange employment agency offering jobs that pay 50 times the usual hourly wage.
Premiering Friday, October 30, the Netflix series 〈​Dead-End Job​〉​is a horror series about the struggle to make a living, set at a strange employment agency that offers only “dream jobs” paying at least 50 times the usual hourly wage.
Kim Chang-ok Joins ‘What Are We Saving Room For?’ as New Cast Member, Teams Up With Lee Young-ja and Pak Se-ri as a Trio of Hosts Starting With Episode 63

Kim Chang-ok Joins ‘What Are We Saving Room For?’ as New Cast Member, Teams Up With Lee Young-ja and Pak Se-ri as a Trio of Hosts Starting With Episode 63

tvN STORY made the official announcement on the 19th; actors Kim Sung-ryung and Choi Jung-won will appear as guests
A perfect blend of food and conversation ushers in a new three-host lineup tvN STORY officially announced on the 19th that Kim Chang-ok, one of South Korea's leading communication experts, will join the food-and-talk variety show 'What Are We Saving Room For. ' as a regular host.
Na Hyun-woo: 'A Piece of Rockfish, the Taste of the Universe' is a work I'll never forget

Na Hyun-woo: 'A Piece of Rockfish, the Taste of the Universe' is a work I'll never forget

※ The interview with 〈Dear Evan Hansen〉 and 〈How to Love in a Big City〉 actor Na Hyun-woo continues in Part 1. Turning to film: you have said you long dreamed of becoming a screen actor, and you called recent projects meaningful challenges. Two that stand out are 〈Pilot〉 (2024) and 〈1 Seung〉 (2024).
“If Even One Person Listens” — ‘Eddie Alice: Take’ Holds Press Conference Amid Powerful Response

“If Even One Person Listens” — ‘Eddie Alice: Take’ Holds Press Conference Amid Powerful Response

The latest film from director Kim Il-ran, who has challenged documentary conventions through works including 〈 공동정범 〉 and 〈 두 개의 문 〉, uses an original cinematic language to capture the bodies and senses of two trans women.
〈Eddie Alice: Take〉, a meta-hybrid film that uses the transitions of trans women Eddie and Alice to give cinematic form to the unfamiliar experience of change and confrontation, held a press and distributor screening followed by a press conference to an enthusiastic reception.
Park Chan-wook, Bong Joon-ho, Jang Hang-jun, Yoon Ga-eun and 27 other film directors publish debut essay 『My First Action』!

Park Chan-wook, Bong Joon-ho, Jang Hang-jun, Yoon Ga-eun and 27 other film directors publish debut essay 『My First Action』!

Featuring the voices of directors affiliated with the Directors Guild of Korea (DGK), the 2014 book 『The Moment of Debut』 has been revised and expanded and published in two volumes, 1 and 2.』
A nonfiction essay vividly recounting the hard-fought debut journeys of 31 leading directors shaping South Korean cinema, 『My First Action』 (jointly planned by the Directors Guild of Korea and CinePlay), has been published.
National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

The “One Day, One Master: Fall in Love Cinema” program will feature screenings of “200 Pounds Beauty” (2006), “The Contact” (1997) and “Shiri” (1999), along with appearances by the films’ directors and actors.
The National Asian Culture Center , an institution affiliated with the Ministry of Culture, Sports and Tourism and led by Kim Sang-wook, will host “2026 ACC Big Door Cinema” from Oct. 29 to 31 at the Big Door outdoor stage of Theater 1 at the National Asian Culture Center.