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[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

I’m curious about people. Even actors already getting attention may be at the low point of their public profile. "Kim Ji-yeon's Jewel Box" spotlights performers who keep setting new highs day after day. Buy the breakout stocks at their lows.
Anyone who watches Korean dramas has likely noticed Kang Ki-dong at least once — the reliably grounded actor whose supporting turns keep stealing scenes. In the tvN drama 〈Off to Work Again!〉, which concluded on the 28th, Kang played Jeon Gi-tae, a seven-year office veteran and a member of Saeum...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

At this year’s festival, director Na Hong-jin met with Ari Aster, the director behind 〈Hereditary〉 and 〈Midsommar〉.
The hot-button release 〈Hope〉, which has been taking the No. 1 spot at the box office day after day since its debut, was selected as the centerpiece screening at the 25th New York Asian Film Festival and held a North American premiere screening on Monday, July 20.
Lee Hanee Steps Into the Ring as the “Grande Dame of Boxing”… a True Story of a 7080 Champion Who Was “a Promoter”

Lee Hanee Steps Into the Ring as the “Grande Dame of Boxing”… a True Story of a 7080 Champion Who Was “a Promoter”

Based on the real story of Shim Young-ja, who discovered legendary boxer Jang Jung-goo… Rookie Park Yoon-ho joins the cast and the series airs on tvN
A feisty woman who dominated the square ring in the 1980s—A weighty return based on a true story Actress Lee Hanee makes a bold acting transformation into “the Grande Dame of Boxing”, a character who led the golden era of Korean boxing in the 1970s and 1980s.
Jung Ho-yeon Steps Into the 2026 North American World Cup Final… Global Flair Hidden in Her Jersey With “Hope”

Jung Ho-yeon Steps Into the 2026 North American World Cup Final… Global Flair Hidden in Her Jersey With “Hope”

Attends an unveiling event with Spanish tennis star Carlos Alcaraz for the 2026 North American World Cup trophy From clever movie promotion in shoes designed to protect the grass to an eye-catching “HOPE 9.9” jersey Director Na Hong-jin’s new film “Hope” breaks 2 million in the first 5 days after its South Korea release, with a North American debut on Sept. 9
Jung Ho-yeon showed her affection for her featured work 〈LANGLE_BRACKET〉Hope〈RANGLE_BRACKET〉 even at a World Cup venue. The stature of a global star lighting up the World Cup final stage Actor Jung Ho-yeon appeared at a pre-event for the 2026 North American World Cup final on July 20 .
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

〈The Chaser〉(113,673 viewers), 〈Hwanghae〉(120,482 viewers), 〈The Wailing〉(310,042 viewers)—it is the highest opening score among filmmaker Na Hong-jin’s works to date.
With the movie 〈Hope〉 proving an unmistakable presence at this summer’s theaters, it drew 333,899 viewers on its first day of release to take the No. 1 spot at the box office. That makes it the highest opening score among Na Hong-jin’s works to date, surpassing 〈The Chaser〉(113,673 viewers),...
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

321 films from 50 countries screened and about 137,000 visitors were counted; launch of Bucheon AI Content Summit points to the cinema of the future
The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...