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Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...
| Chua-young
Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

▶ 〈Teach You a Lesson〉 Jin Gi-ju interview continues from Part 1. What were your real school days like. They were just ordinary. I would cram for tests, I really wanted to hang out every day but studied because I had to, and I loved club activities. Did a teacher ever actually hit you.
| Chua-young
Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Even in its second week after release, the Netflix series 〈Reassignment Education〉 topped the No. 1 spot among non-English TV shows in the global TOP 10 rankings. Cine Play reporters picked their favorite episodes.
Once again, a high-impact K-content title has burst onto Netflix. The Netflix series 〈Reassignment Education〉, which depicts the relentless efforts of the authority group for protecting teachers’ rights as it takes the side of victims and puts schools back in order, kept its No.
| Kim Ji-yeon
A Classroom Turns Into a Bloodbath Survival Story: The “Jiwoohak” and “Girigo” Craze Expands the “Dark Academy” Genre Built on Endless Competition

A Classroom Turns Into a Bloodbath Survival Story: The “Jiwoohak” and “Girigo” Craze Expands the “Dark Academy” Genre Built on Endless Competition

From “Jiwoohak” to “Girigo,” K-academy fare morphs into bite-your-fingers survival drama. The bleak reality inside a classroom reduced to a ladder of class and violence
The end of romance—classrooms become a blood-red survival fight. . . The world gets hooked on 'Girigo' No more romance of first love is breathing in classrooms. A strange app appears on smartphone screens, turning teenagers’ daily lives into a brutal survival game.
| James choi
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
| Kim Ji-yeon
IU and Byeon Woo-seok Apologize Together Over Controversy of Historical Distortion in “The Grand Lady of the 21st Century” (Full Text)

IU and Byeon Woo-seok Apologize Together Over Controversy of Historical Distortion in “The Grand Lady of the 21st Century” (Full Text)

Due to inadequate research and controversy over historical distortion in the drama “The Grand Lady of the 21st Century,” both lead actors apologized via their personal SNS accounts IU: “I’m ashamed of myself for not reading the script carefully and studying with enough thought,” Byeon Woo-seok: “I lacked consideration for the historical context” With a promise from the production team to make prior VOD revisions, the lead actors recognized the heavy responsibility as main performers and bowed their heads side by side
〈The Grand Lady of the 21st Century〉’s royal couple delivered an apology to viewers, expressing their regret. Controversy Over Historical Fact-Checking and IU’s Personal Reflection The drama 〈The Grand Lady of the 21st Century〉 ended on May 16.
| Seongchan Eol
'21st Century Princess Consort' — Yoo Su-bin and Lee Yeon, the Aides Who Are a Real Pleasure to Watch

'21st Century Princess Consort' — Yoo Su-bin and Lee Yeon, the Aides Who Are a Real Pleasure to Watch

It’s a real pleasure to watch. The drama 〈21st Century Princess Consort〉, which has been airing since April 10, is set in a Republic of Korea where a constitutional monarchy is in place, and it delights viewers by blending capitalist flavor with the traditional charm of the Joseon era.
| Seongchan Eol
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! Meet the Five Muses of ‘Bite Me Sweet’ ⑤ Lee Se-eon

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! Meet the Five Muses of ‘Bite Me Sweet’ ⑤ Lee Se-eon

〈Bamis〉 is a K-dessert variety show where five world-famous pâtissiers from across Southeast Asia and five up-and-coming male Korean celebrities team up in pairs to compete in making K-desserts.
Coming in April is the K-dessert variety program 〈Bite Me Sweet〉(also known as 〈Bamis〉), which will be available globally via the OTT platform Viu, with Asia as its hub, and in Korea via Wavve. 〈Bite Me Sweet〉 is a competitive reality show where well-known pâtissiers from each country in Southeast...
| Chua-young
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
| Cineplay