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[Photo &] Kim Hye-soo: “No one will watch just once” After “Now Affairs Aren’t the Problem” Tops the Cumulative #1

[Photo &] Kim Hye-soo: “No one will watch just once” After “Now Affairs Aren’t the Problem” Tops the Cumulative #1

Coupang Play’s series sets a record for the highest-ever cumulative viewership… She flawlessly brings to life a multidimensional character with the sheen of an influencer—and the heart of a “fraud.”
“Kim Hye-soo,” one of South Korea’s leading actresses, has pushed past another limit through the Coupang Play original series “Now Affairs Aren’t the Problem”. The work, which achieved a landmark as the No. 1 in cumulative viewership among all Coupang Play series, is a daring black comedy that...
Jeonju International Film Festival J Vision Award Winner Ki Joo-bong and Jung Ae-hwa Star in “Lovers of an Empty House” Opening Nationwide

Jeonju International Film Festival J Vision Award Winner Ki Joo-bong and Jung Ae-hwa Star in “Lovers of an Empty House” Opening Nationwide

A Jeonju Film School planning and production support project… A payoff from Jeonju’s backing from planning through distribution
A Jeonju Film School planning and production support project… GV at Jeonju Digital Independent Cinema on the 14th An ensemble forged by heavyweights from South Korea’s independent film scene, ‘Ki Joo-bong’ and ‘Jung Ae-hwa’, the feature-length independent film ‘Lovers of an Empty House’ made an...
“I went and checked everything from the 2010s” Kiki strikes a global No. 1 surge with new song “Pop Off Pop Off”

“I went and checked everything from the 2010s” Kiki strikes a global No. 1 surge with new song “Pop Off Pop Off”

Releasing new mini album “WhyKiiiKiii”… pushing a shuffle dance and synth-pop to race to No. 1 on YouTube and Bugs
The girl group ‘Kiki’ is perfectly reviving nostalgia from the 2010s pop music scene, triggering a shakeup in the global music market. Their new song ‘Pop Off Pop Off’ reclaimed the No. 1 spot in YouTube Music video trending worldwide immediately after its release, proving the group’s overwhelming...
'Tomorrow Work!' Seoin-guk and Park Ji-hyun quit suddenly after romance is exposed—ending at 4.6%

'Tomorrow Work!' Seoin-guk and Park Ji-hyun quit suddenly after romance is exposed—ending at 4.6%

After a year, both succeed as their own CEOs and team leaders, exchange proposal rings—and the drama kept 4%+ viewership ratings throughout its run after launching at 4.8%
A decisive breakthrough that breaks the workplace romance curse… a perfect finale that wins both work and love tvN Monday-Tuesday drama 'Tomorrow Work. ' delivered a thrilling sense of catharsis and wrapped up with a fitting final flourish.
Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam’s ‘Tony Leung Special Exhibition’ wraps up with a screening of 〈Color, Cain〉 on Aug. 1.
This spring, Tony Leung visited South Korea. After all this time, it’s been 18 years since the first European foray of Leung—who is now past his 60th birthday—came to Seoul to promote director Ildikó Enyedi’s 〈〈Friend of Silence〉〉, the director’s first film in which Leung stars, and to promote his...
3만 5천 won Tickets Sell Out Too…Backstage Tour Craze Sweeps Performance Venues, Secrets and Air Beyond the Curtain

3만 5천 won Tickets Sell Out Too…Backstage Tour Craze Sweeps Performance Venues, Secrets and Air Beyond the Curtain

Seongnam Arts Center, Sejong Center for the Performing Arts, and other major venues have evolved their tours with behind-the-stage access, rehearsal-room reveals, and hands-on programs—igniting runaway popularity
Secrets beyond the curtain, stealing the audience’s curiosity The iron gate that had been tightly shut behind the stage has opened. The era of passively admiring completed art is over. The performing arts world now faces a new paradigm—'Backstage Tour'—an exploration of what lies behind the stage.
[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

I get hooked on the music in films. Music often reveals intimate emotions a picture or dialogue alone cannot convey. It can become a window into a creator's hidden intent. For me, listening to a film's music is one way to get closer to what the film is doing.
[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

I am curious about people. Even actors already in the spotlight can be at their least visible moment right now. "Kim Ji-yeon's Jewel Box" introduces performers who are hitting new highs day by day. Buy the dip on tomorrow's breakout stars.
I would go so far as to say she has renewed a career-defining role — specifically Seon Min-hee in 〈Notes from the Last Row〉. For an actor in her 21st year since debut, this represents a new peak. Viewers and theatergoers who have followed Han Ji-eun for years already consider her well known, yet...
A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

Was the pathetic breadwinner secretly a special agent? The thrilling twist and box-office formula behind “middle-age” heroes from webtoon-based dramas including “Kim Bu-jang”
Power in the living room is shifting. Those who had been weighed down by the burden of an ordinary breadwinner responsible for the household are now waking the savage instincts they had buried when a crisis hits, and reinventing themselves as “middle-aged heroes”.
Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

A big win for director Hong Sang-soo as it marks his 35th feature and his fifth-ever invitation to Locarno. Choi Myung-gil joins for the first time, and Kim Min-hee takes part as production chief
Where the gaze of a master lingers, the 35th aesthetics blooming in Jeju Director ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.