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‘The Man Who Lives With the King’ Captivates Belgium as 370-Seat Opening Screening Sells Out, K-Movies Draw Crowds Despite 11-Euro Tickets

‘The Man Who Lives With the King’ Captivates Belgium as 370-Seat Opening Screening Sells Out, K-Movies Draw Crowds Despite 11-Euro Tickets

Brussels opens 2026 Korean Film Week; three films sell out in succession after coverage by local broadcaster
K-Content Makes a Powerful Impact in Europe, With Opening Film Selling Out Every Seat 2026 Korean Film Week, hosted by the Korean Cultural Center in Belgium and the European Union, opened in grand fashion on Oct. 1 at Cinema Palace, a historic theater in Brussels, Belgium.
| James choi
Lee Hwi-hyang and Kim Jung-tae on 《Family Trip》: ‘I Never Wanted Dementia Used as Just a Device’

Lee Hwi-hyang and Kim Jung-tae on 《Family Trip》: ‘I Never Wanted Dementia Used as Just a Device’

▶ 〈Family Trip〉 The interview with actress Lee Hwi-hyang and director Kim Jung-tae continues from Part 1. As a "family film," the relationship between the grandmother and her granddaughter is intriguing. The grandmother keeps trying to go outside because of dementia, while the granddaughter,...
| Joo Seong-cheol
31st Busan International Film Festival to screen 247 films ... 'The Day and the Night Are for Each Other' to premiere Oct. 6

31st Busan International Film Festival to screen 247 films ... 'The Day and the Night Are for Each Other' to premiere Oct. 6

247 films from 59 countries to be screened ... Opening film 'The Day and the Night Are for Each Other' to premiere Named an 'A-list film festival' ... A business hub for Asia's film industry
Festival to be held across Busan for 10 days starting Oct. 6, with 14 competition entries and 64 industry programs 'A-list' festival becomes a hub for Asia's film industry The '31st Busan International Film Festival' , which has earned global recognition beyond Asia, will fill Busan with the...
| James choi
Connecting Films, Merchandise and Spaces: Next-Generation Art and Indie-Film OTT MovieLAB Launches Oct. 1

Connecting Films, Merchandise and Spaces: Next-Generation Art and Indie-Film OTT MovieLAB Launches Oct. 1

- One platform integrating online streaming, articles, a merchandise shop and offline spaces - “MOVIE” offers curation centered on art films, independent films and classics, while “LAB” features film-analysis articles - “SHOP” offers annual members discounts of up to 20%, and “SPACE” introduces independent cinemas and film cafes nationwide - Available for 9,900 won per month or 99,000 won per year; seven-day free-trial event begins Oct. 1
The full experience of watching a film — reading about it, collecting something from it and visiting an offline space — is coming together on a single platform. MovieLAB said it will officially launch MovieLAB, a film lifestyle platform connecting film streaming and curation with articles,...
| Yangsimoh
Director Kim Jee-woon brings A Tale of Two Sisters back after 20 years at LA's first Korean film festival: 'Film is a universal language; I believe in the power of stories'

Director Kim Jee-woon brings A Tale of Two Sisters back after 20 years at LA's first Korean film festival: 'Film is a universal language; I believe in the power of stories'

Invited as a new Academy member this year, Kim Jee-woon helps prove the strength of K-content in the heart of Hollywood on the 26th
A milestone for 'K-content' planted in the heart of Hollywood The 'LA Korean Film Festival' opened for the first time in Los Angeles, the spiritual home of cinema. The plan to showcase the best of Korean film in the heart of Hollywood was bold, but some questioned whether it could win over the...
| James choi
[Chuseok Holiday Box Office] Yoo Hae-jin and Park Hae-il's 'Assassins' and 'Tazza 4' knock out 'The Odyssey,' draw 130,000 on opening day for No. 1

[Chuseok Holiday Box Office] Yoo Hae-jin and Park Hae-il's 'Assassins' and 'Tazza 4' knock out 'The Odyssey,' draw 130,000 on opening day for No. 1

'Tazza 4' closes in after topping 100,000 admissions, reaching a 31.6% advance-booking rate
'Tazza 4' closes in after topping 100,000 admissions, reaches a 31.6% advance-booking rate over the Chuseok holiday Shots fired in 1974 consume the box office 'Assassins', which probes the events behind the 1974 shooting of the first lady, seized the box-office crown with overwhelming momentum on...
| James choi
15th Swedish Film Festival opens; Seoul-set 'Seven Steps' screens on 8th

15th Swedish Film Festival opens; Seoul-set 'Seven Steps' screens on 8th

Nine films to screen in four cities, including Seoul
Festival runs through the 20th in four cities, with nine films including documentaries The '15th Swedish Film Festival', known for the cool Nordic sensibility and deep insight into the human psyche that define Swedish cinema, opens in grand fashion on the 8th.
| James choi
“I worry only old trees will remain”: President Lee vows in France to restore “K-content” ladder after meeting Lee Chang-dong, Jeon Do-yeon

“I worry only old trees will remain”: President Lee vows in France to restore “K-content” ladder after meeting Lee Chang-dong, Jeon Do-yeon

At the Lumière Summit in France, the president meets leading figures in K-content, including Netflix executives, and says he will “immediately review” Lee Chang-dong’s proposal for tax incentives to spur private investment
President Lee Jae-myung, on a state visit to France, attended the “Lumière Summit”, a global summit for the film and video industry held near Nice on July 7 local time. There, he met leading figures from South Korea’s film industry and pledged comprehensive support for the “K-content” “ecosystem.
| James choi
Lee Joon-ik Makes the Case for a 'Vertical Revolution' at 'Father's Home Cooking' Q&A

Lee Joon-ik Makes the Case for a 'Vertical Revolution' at 'Father's Home Cooking' Q&A

“If horizontal film is a landscape painting, the vertical frame is a portrait. You can focus more deeply on a character’s inner life, and on set every actor gets a solo shot — it becomes a kind of liberated space for cinema where everyone stands equal.
| Kim Ji-yeon
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
| Joo Seong-cheol