Search results for "films to watch"

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

〈In Chace and Rage〉’s Tang Wei, no one could have believed she was a newcomer. The turbulent years of Japanese colonial rule and the shadows of a restless desire are compressed entirely into Tang Wei’s expressions and gestures.
A Mysterious ‘Code’ App That Grants Wishes: Nam Joo-hyuk, Lee Yi-dam, Kim Eui-sung and Park Hoon to Be Released on Disney+ in 2027

A Mysterious ‘Code’ App That Grants Wishes: Nam Joo-hyuk, Lee Yi-dam, Kim Eui-sung and Park Hoon to Be Released on Disney+ in 2027

〈Weak Hero Class 1 and 2〉 director Yoo Soo-min, widely regarded as one of the most talked-about creators, returns with the Disney+ original series 〈Code〉.
Yoo Soo-min, the director who has been singled out as one of the most watched creators after 〈Weak Hero Class 1 and 2〉 sparked explosive worldwide reactions, is set to return with Disney+ original series 〈Code〉.
Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

※ This interview with 〈The East Palace〉 star Nam Joo-hyuk continues from Part 1. You made Gu-cheon look noticeably different in the real world and in the realm of spirits. How did you approach the styling differences.
‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

At this year’s festival, director Na Hong-jin met with Ari Aster, the director behind 〈Hereditary〉 and 〈Midsommar〉.
The hot-button release 〈Hope〉, which has been taking the No. 1 spot at the box office day after day since its debut, was selected as the centerpiece screening at the 25th New York Asian Film Festival and held a North American premiere screening on Monday, July 20.
Films Featuring Songs by Overseas Bands Playing Korea's 2026 Rock Festivals

Films Featuring Songs by Overseas Bands Playing Korea's 2026 Rock Festivals

With hip-hop cooling and rock back in vogue in 2026, rock festivals are springing up across the country. Going to a rock festival in Korea means seeing international artists you rarely encounter live. Here are films that feature songs by international bands set to visit Korea for the upcoming One...
Nahang-jin’s New Film “Hope” Surpasses 1 Million Viewers in 3 Days, Fastest Box-Office Run This Year

Nahang-jin’s New Film “Hope” Surpasses 1 Million Viewers in 3 Days, Fastest Box-Office Run This Year

“Hope,” the SF thriller by Nahang-jin director who returned after a decade following “The Wailing,” breaks 1 million viewers in just 3 days and sets the shortest run of the year,
Nahang-jin’s long-awaited return after 10 years, the film ‘Hope’, is sweeping up 1 million viewers in just three days since its release, throwing the movie theaters scene into flux.A Breakneck Box-Office Run, Writing New Theater RecordsAccording to distributor Plus M Entertainment, ‘Hope’, which...
[Seong Chan-eol's Comics] Can’t Die Even After Death? An XP Fever Time in ‘The Knight Only Lives Today’

[Seong Chan-eol's Comics] Can’t Die Even After Death? An XP Fever Time in ‘The Knight Only Lives Today’

I'm obsessed with subculture. Not just films, but webtoons, games, comics and animation — anything with fresh stories, settings or characters, I check it out first. I opened the world of fandom through comic books, moved on to e-books, and now read webtoons on my phone; I suppose I'm an "adult fan.