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[Photo]& Kwak Dong-yeon Spent Just 3 Hours on Special Makeup for Netflix’ “Kingdom of the Crown Prince” … “Poison Shot” Ad-Lib Before Enlistment

[Photo]& Kwak Dong-yeon Spent Just 3 Hours on Special Makeup for Netflix’ “Kingdom of the Crown Prince” … “Poison Shot” Ad-Lib Before Enlistment

He is set to enter the active-duty Army on Sept. 25 next month. He handled wire-action for five months as a prince possessed by an evil spirit. “The military gap is an intermission for my acting career”
In the Netflix occult historical drama "Kingdom of the Crown Prince", actor "Kwak Dong-yeon", who seized global viewers’ attention with an overwhelming portrayal of an evil spirit, poured himself into a final burst of effort before enlisting.
| James choi
[Interview] LUN8 comeback drops dark concept, straps on bright “Sneakers”… Chael shines with 23% viewership on “Kim Bu-jang”

[Interview] LUN8 comeback drops dark concept, straps on bright “Sneakers”… Chael shines with 23% viewership on “Kim Bu-jang”

The group releases its 4th mini album, “Off the Grid,” on the 22nd and holds its first free fan concert on the 8th of next month… members take part directly in choreography production
LUN8 ditches its dark concept after 10 months… a twist in “Off the Grid” LUN8 releases its 4th mini album on the 22nd and holds a free fan concert on the 8th of next month… a double celebration after hitting 23.
| James choi
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
| James choi
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
| Kim Ji-yeon
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
| Seongchan Eol
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
| Kim Ji-yeon
NBC crime thriller ‘The Hunting Party’ ends in final failure to produce Season 3 as cast contract options expire

NBC crime thriller ‘The Hunting Party’ ends in final failure to produce Season 3 as cast contract options expire

Universal Television tried to move the show to a different platform, but it didn’t happen; fans who expected a dramatic structure like Netflix’s ‘Lucifer’ were crushed by the news of expired contracts Starring actors including Melissa Roxburgh are now free agents… as NBC’s fall lineup overhaul ushers the series into the past
After the network delivered a cancellation notice, NBC’s action crime investigation drama ‘The Hunting Party ’ bet on a dramatic bid for survival by probing a move to another platform—only to arrive at a complete end as the cast’s contract options expired for good.
| Yangsimoh
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정