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'97% of Seat Occupancy' Takes 3 Grand Prizes at Mise-en-Scene Short Film Festival…Netflix Reveals the Winners

'97% of Seat Occupancy' Takes 3 Grand Prizes at Mise-en-Scene Short Film Festival…Netflix Reveals the Winners

With a 97% seat-occupancy success story, the festival ends on the 23rd—there is no grand prize work; every screening title is released on Netflix and CHZZK.
'97% Seat Occupancy', Opening the Prelude to a Renaissance of Short FilmsKorea’s film world’s keenest perspective, 'the 22nd Mise-en-Scene Short Film Festival', has wrapped up with the astonishing record of 97% seat occupancy.
| James choi
[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

▶ [Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2 — continues from Part 1. There’s also a romantic thread between Bong Geundae and Im Hanlim. At first there wasn’t any obvious romantic tension, but it intensifies in the back half of the series.
| Chua-young
Namkoong Min and Jin Areum Become Parents Four Years After Marriage, Expecting Their First Child

Namkoong Min and Jin Areum Become Parents Four Years After Marriage, Expecting Their First Child

The Namkoong Min and Jin Areum couple tied the knot in 2022 after seven years of dating
Life blossoming beyond the frame, the couple’s most dazzling mise-en-scèneA new universe has opened for actor “Namkoong Min” (48) and “Jin Areum” (37), as the couple has reached its fourth year of marriage. The pregnancy news, delivered through their agency 935 Entertainment, goes beyond simple...
| James choi
[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...
| 이화정
Review: 'Toy Story 5' Shows Pixar Still Operates on Another Level

Review: 'Toy Story 5' Shows Pixar Still Operates on Another Level

Pixar pulls it off again with a sequel seven years after 〈Toy Story 4〉. Released June 17, 〈Toy Story 5〉 is the latest entry in Pixar Animation Studio’s flagship series 〈Toy Story〉. This review is based on a press screening held June 11.
| Seongchan Eol
Inaugural Korea Short Drama Awards Names Five-Member Jury

Inaugural Korea Short Drama Awards Names Five-Member Jury

Co-hosted by Cineplay and the Korean Film Archive, the inaugural Korea Short Drama Awards carry a total prize pool of 20 million won. The five-member jury is chaired by Min Kyu-dong and also includes Korean Film Archive Director Mo Eun-young; Han Jung-soo, director and CEO of Yeondu Company; Kim Won-jin, director of MCA AI Creative Studio's Creative Headquarters; and actor Lee Yeon. The Archive has pledged archiving support for winners, and organizers say the awards aim to discover new creators and help the short-drama industry take a step forward.
The inaugural Korea Short Drama Awards, which carry a total prize pool of 20 million won, have named a five-member jury. Cineplay (CEO Choi Tae-hyung) and the Korean Film Archive (Director Mo Eun-young) are co-hosting the first Korea Short Drama Awards.
| Seongchan Eol
The Winner of the 25 Million Won Total Prize: Seongbuk Youth Invincible Film Festival Short Film Call for Entries

The Winner of the 25 Million Won Total Prize: Seongbuk Youth Invincible Film Festival Short Film Call for Entries

Short films of up to 30 minutes are accepted from people ages 19 to 34, with submissions open until July 7
A youth lens that cuts through the era’s gloom, once again taking shape on the screenFor those who capture the hidden side of the times, it has never been the job of the older generation. It has been the privilege of young people armed with the sharpest senses.
| James choi
‘Exhuma’ and ‘King Sangeunam’ box-office powerhouse Showbox moves into the 70M-user ReelShort and the short-form market

‘Exhuma’ and ‘King Sangeunam’ box-office powerhouse Showbox moves into the 70M-user ReelShort and the short-form market

A joint production venture with ReelShort, a global platform boasting 70 million monthly active users… poised to take on the short-form space worldwide
A longtime tentpole heavyweight, 'Showbox', targets global short-form dominance with its 'ReelShort' audience of 70 millionThe investment and distribution company 'Showbox', which has built a track record of blockbuster K-content, has signaled a major shift in the global video content market.
| James choi
Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Released four years after Steven Spielberg turned to an autobiographical story with The Fabelmans, 〈Disclosure Day〉 marks his return to science fiction. Given Spielberg's earlier alien-centered classics Close Encounters of the Third Kind and E. T.
| Seongchan Eol
Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

The two works were invited to the Bucheon International Fantastic Film Festival’s [Platform Planning Exhibition: Short-Form Cinema],
The Bucheon International Fantastic Film Festival, which marks its 30th anniversary this year, is a leading domestic festival that has actively introduced new formats and content, focusing on genre films. The two works were invited to [Platform Planning Exhibition: Short-Form Cinema] within the...
| Joo Seong-cheol