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“Why does a Japanese man take photos of Korea?” Kuwabara Seisei’s “Face of Photography” opens on Sept. 2

“Why does a Japanese man take photos of Korea?” Kuwabara Seisei’s “Face of Photography” opens on Sept. 2

A documentary about the life and photos of Kuwabara Seisei, a master of Japanese photojournalism who chronicled modern Korean history through 100,000 shots over 60 years.
A film titled 〈Face of Photography〉, which confirmed its release for Sept. 2, will unveil a teaser poster and a teaser trailer. 〈Face of Photography〉 is a photo documentary that follows the life and work of Kuwabara Seisei, a 90-year-old master of Japanese photojournalism who documented modern...
| Joo Seong-cheol
[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

I’m curious about people. Even actors already getting attention may be at the low point of their public profile. "Kim Ji-yeon's Jewel Box" spotlights performers who keep setting new highs day after day. Buy the breakout stocks at their lows.
Anyone who watches Korean dramas has likely noticed Kang Ki-dong at least once — the reliably grounded actor whose supporting turns keep stealing scenes. In the tvN drama 〈Off to Work Again!〉, which concluded on the 28th, Kang played Jeon Gi-tae, a seven-year office veteran and a member of Saeum...
| Kim Ji-yeon
[Photo &] Four Years After ‘Spider-Man 4’ Ties Into Hulk and the Punisher—A Hero Everyone Forgot: ‘Self-Reliance’

[Photo &] Four Years After ‘Spider-Man 4’ Ties Into Hulk and the Punisher—A Hero Everyone Forgot: ‘Self-Reliance’

The first screening of ScreenX on four screens expanded all the way to the ceiling… Peter Parker’s coming-of-identity confusion
A hero kept strictly isolated, a new awakening reached after four years Peter Parker, the Spider-Man figure erased completely from everyone’s memories (Tom Holland), has returned after four years of silence. ‘Spider-Man: Brand New Day’ (hereafter ‘Spider-Man 4’), which has already surpassed 830,000...
| James choi
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

Netflix tops the non-English category for the third straight week, driving a hit after 20 years of obscurity
Yoon Kyung-ho (46), a “top-tier star” who has swallowed both Korea’s home entertainment market and global OTT at the same time, finally poured out hot tears. With SBS Friday-Saturday drama ‘Kim Bujang’ ending on an astonishing “23% ratings”, he also did not forget the pain of being unknown for 20...
| James choi
Shin Mina and Ju Ji-hoon Team Up for “Remarried Empress”… A 2.9 Billion-View Spectacle Lands on Disney+ This Fall

Shin Mina and Ju Ji-hoon Team Up for “Remarried Empress”… A 2.9 Billion-View Spectacle Lands on Disney+ This Fall

Lee Se-young and Lee Jong-suk Round Out an All-Star Cast… A Romance Fantasy Where Remarriage Is Demanded After Divorce
Confirmed for release on Disney+ this fall… A blockbuster with 2. 9 billion views featuring Shin Mina and Ju Ji-hoon The mega-hit work ‘Remarried Empress’, which set an unprecedented record of 2. 97 billion cumulative views worldwide, finally lifts the veil on its live-action adaptation.
| James choi
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
| Chua-young
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
First Reactions to 〈OK! MADAM2〉: Cineplay's Star Rating

First Reactions to 〈OK! MADAM2〉: Cineplay's Star Rating

[First Reactions] 〈OK! MADAM2〉, the sequel to the 2020 action-comedy 〈OK! MADAM〉, opens Aug. 12 after the original won over audiences during the COVID-19 pandemic with broad laughs and high-energy action. The film follows the family of former legendary agent Mi-young, who set off on a luxury cruise...
| Kim Ji-yeon