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‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

A psychological thriller that begins when Ryu Seon-woo, a boy presumed dead, miraculously returns to his mother, Ryu So-young, nine years after she lost him in the Camp School bus disappearance.
The conversation brought together two of the leading directors of South Korea and Japan, Yeon Sang-ho and Kore-eda Hirokazu, whose distinctive worldviews and compelling storytelling have captivated audiences worldwide.
| Joo Seong-cheol
[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

Comic-book VFX deliver visceral impact in adaptation of hit webtoon, while Shin Seung-ho and Kang Ki-young join the cast and filmmakers hint at series potential at production briefing
Koo Kyo-hwan's 'Revival Man: The Red' . . . Set for release on the 30th, with 101 minutes of endless resurrection-fueled action and an expanded universe "I thought my life would end just like this, without having accomplished a single thing.
| James choi
From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

A first prize in 24 years since the Best Director award for “Oasis,” highlighting the meaning of class and love through a laid-off worker and a “silver-spoon” couple
Director Lee Chang-dong, 72, reaffirmed his stature as a global master by winning the Grand Jury Prize at the 83rd Venice International Film Festival for “Possible Love,” his first film in eight years. After winning Best Director for “Oasis” in 2002, Lee added a new milestone to his international...
| James choi
[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

I am drawn to music in films. Music often reveals a character's intimate feelings that images and dialogue alone cannot convey. It can also serve as a window into a creator's hidden intentions. For me, understanding film music has been one way to approach a movie.
| Chua-young
Yeongwol's Danjong score becomes French president's walk-on, walk-off music; typeface, film go global

Yeongwol's Danjong score becomes French president's walk-on, walk-off music; typeface, film go global

Yang Bang-ean's “Rebirth” played at the Lumière Summit, while the “Yeongwol Typeface” won two international design awards
Yang Bang-ean's “Rebirth” captivates France — the secret behind Yeongwol's K-content success in three countries Global achievements include the theme song for the Danjong Culture Festival's 60th anniversary in 2027 and the “Yeongwol Typeface,” which swept design awards in Taiwan and Japan Music, a...
| James choi
Sandra Bullock, Nicole Kidman Return in ‘Practical Magic’ Sequel After 28 Years — Witches’ Sisters Face Twists of Fate

Sandra Bullock, Nicole Kidman Return in ‘Practical Magic’ Sequel After 28 Years — Witches’ Sisters Face Twists of Fate

Opening in theaters on the 9th, the lavish fantasy romance stars Sandra Bullock and Nicole Kidman.
Legendary witches return to the screen, facing a deadly family curse The legendary fantasy film ‘Practical Magic’ (1998), starring Hollywood heavyweights ‘Sandra Bullock’ and ‘Nicole Kidman’, returns to theaters after 28 years of silence.
| James choi
[Choo A-young's Music Box] Ridley Scott's Message of Hope in 〈Dog Star: Last Hope〉 and Hozier's 'Like Real People Do'

[Choo A-young's Music Box] Ridley Scott's Message of Hope in 〈Dog Star: Last Hope〉 and Hozier's 'Like Real People Do'

Film music hooks me first. It often reveals emotions that images and dialogue alone cannot fully carry, and it can open a window onto a filmmaker's hidden intentions. For me, understanding film music has been one path to understanding the film itself.
| Chua-young
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
| Kim Ji-yeon
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
| Kim Ji-yeon
Press-Screening Reactions: Cineplay Reporters Rate 〈Bi-gwang〉

Press-Screening Reactions: Cineplay Reporters Rate 〈Bi-gwang〉

[Press-screening first impressions]
| Kim Ji-yeon