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Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

A return 10 years after “The Wailing.”
[In-Depth Analysis] The Return of a $5 Billion Epic—A Mind-Blowing Sci-Fi Thriller Created by the Namhongjin Universe The return of a master who broke a decade of silence is, indeed, overwhelming. 'Hope', which has shaken up the landscape of the Korean film industry, proved its explosive box-office...
Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Anyone who follows Japanese pop culture likely knows one writer by name: Sakamoto Yuji. A steady source of acclaimed TV dramas, Sakamoto has in recent years also produced consistently strong film screenplays. He teamed with Koreeda Hirokazu on 〈Monster〉 and with Tsukahara Ayuko on 〈The First Kiss〉.
Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Contains spoilers and interpretations of the ending.
※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.
The $3 Billion Hit Myth Continues… ‘Minions & Monsters’ Opens on the 15th

The $3 Billion Hit Myth Continues… ‘Minions & Monsters’ Opens on the 15th

A behind-the-scenes film production story about the Minions’ bumpy entry into 1920s Hollywood. ‘Yellow’ dreamers who want to direct: ‘Minions & Monsters’ opens on the 15th
A yellow rebellion that swept through 1920s Hollywood, rewriting screen history The ‘Minions’ series, which has built up an astonishing $2 billion worldwide box-office cumulative haul (about 346 billion won), will take over domestic theaters on the 15th with its third masterpiece, ‘Minions &...
BabyMonster ‘PSYCHO’ MV Passes 200 Million Views…8th All-Time Record

BabyMonster ‘PSYCHO’ MV Passes 200 Million Views…8th All-Time Record

Achieves 200 million views just 8 months after release, adding a 8th all-time milestone. With cumulative views topping 9.2 billion, the group keeps surging through its world tour success run.
A global syndrome on a roll—the miracle of 200 million views turned into a movie Mega monster rookie ‘BabyMonster’ has shaken up the YouTube ecosystem once again. On the 5th, YG Entertainment officially announced that their ‘PSYCHO ’ music video has easily surpassed 200 million views.
WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

Based on the universe of the original work, the show has been reborn as a completely original story in eight episodes.
Netflix unveiled its Netflix Original series 〈​Gas Human〉 worldwide on July 2. Taking its premise from Toho’s legendary tokusatsu film 《​Gas Human No. 1》 released in 1960, the new series has been reimagined from scratch as a fully original story spanning a total of eight episodes built on the...
Young Breakout Directors Who Injected New Blood Into Hollywood in 2026

Young Breakout Directors Who Injected New Blood Into Hollywood in 2026

Hollywood is changing — and getting younger. Three directors behind some of 2026's biggest horror stories, from 〈Backrooms〉 to 〈Obsession〉 and 〈Iron Lung〉, are helping redraw the industry's map.Kane Parsons 〈Backrooms〉 $10 million =〉 $270 million Among the many gifted figures in Hollywood, the most...
‘House of the Dragon’ Season 3 Opens With a Powerful First Strike… More Brutal Black Faction vs. Green Faction in a ‘Blood-Soaked’ All-Out War Begins

‘House of the Dragon’ Season 3 Opens With a Powerful First Strike… More Brutal Black Faction vs. Green Faction in a ‘Blood-Soaked’ All-Out War Begins

HBO ‘House of the Dragon’ Season 3, episode 1 receives a close-up analysis After the shocking cliffhanger ending of Season 2… the ‘Dance of the Dragons’ that will drench Westeros in blood gets underway Rhaenyra’s anguish and Alicent’s helplessness… deeper character portrayals and an overwhelming scale
HBO’s once-in-a-generation fantasy blockbuster ‘House of the Dragon ’ Season 3, which has captivated viewers around the world, has finally lifted the curtain. The first episode of Season 3, which aired on the 21st local time, carried forward the huge war spark left behind by Season 2 and kicked off...
[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

A meeting of the director of “Hanataba” and the screenwriter of “Monster.” It follows the warm journey of three ghost girls who keep growing even after the world they left behind is gone.
A strange co-living arrangement of three girls growing up in a world where time has stopped Can growth continue even after death? The Japanese film “Kataomoi Sekai,” which traces the original and bittersweet trajectory of three girls who have said goodbye to the world, finally makes its way onto...
[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.
〈Toy Story 2〉 (1999)’s opening begins as if it were a scene from the 〈Star Wars〉 series. And in the moment of crisis, Woody recites the lines “Think about it, think about it,” like the way Dong-su (Kim Sang-kyung) does in 〈Theater Jeon〉 (2005) or Yeon-hong (Son Ye-jin) does in 〈No Secrets〉 (2016).