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Search results for "The Time of the Monster"

WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

Based on the universe of the original work, the show has been reborn as a completely original story in eight episodes.
Netflix unveiled its Netflix Original series 〈​Gas Human〉 worldwide on July 2. Taking its premise from Toho’s legendary tokusatsu film 《​Gas Human No. 1》 released in 1960, the new series has been reimagined from scratch as a fully original story spanning a total of eight episodes built on the...
| Joo Seong-cheol
Young Breakout Directors Who Injected New Blood Into Hollywood in 2026

Young Breakout Directors Who Injected New Blood Into Hollywood in 2026

Hollywood is changing — and getting younger. Three directors behind some of 2026's biggest horror stories, from 〈Backrooms〉 to 〈Obsession〉 and 〈Iron Lung〉, are helping redraw the industry's map.Kane Parsons 〈Backrooms〉 $10 million =〉 $270 million Among the many gifted figures in Hollywood, the most...
| Seongchan Eol
‘House of the Dragon’ Season 3 Opens With a Powerful First Strike… More Brutal Black Faction vs. Green Faction in a ‘Blood-Soaked’ All-Out War Begins

‘House of the Dragon’ Season 3 Opens With a Powerful First Strike… More Brutal Black Faction vs. Green Faction in a ‘Blood-Soaked’ All-Out War Begins

HBO ‘House of the Dragon’ Season 3, episode 1 receives a close-up analysis After the shocking cliffhanger ending of Season 2… the ‘Dance of the Dragons’ that will drench Westeros in blood gets underway Rhaenyra’s anguish and Alicent’s helplessness… deeper character portrayals and an overwhelming scale
HBO’s once-in-a-generation fantasy blockbuster ‘House of the Dragon ’ Season 3, which has captivated viewers around the world, has finally lifted the curtain. The first episode of Season 3, which aired on the 21st local time, carried forward the huge war spark left behind by Season 2 and kicked off...
| Yangsimoh
[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

A meeting of the director of “Hanataba” and the screenwriter of “Monster.” It follows the warm journey of three ghost girls who keep growing even after the world they left behind is gone.
A strange co-living arrangement of three girls growing up in a world where time has stopped Can growth continue even after death? The Japanese film “Kataomoi Sekai,” which traces the original and bittersweet trajectory of three girls who have said goodbye to the world, finally makes its way onto...
| James choi
[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.
〈Toy Story 2〉 (1999)’s opening begins as if it were a scene from the 〈Star Wars〉 series. And in the moment of crisis, Woody recites the lines “Think about it, think about it,” like the way Dong-su (Kim Sang-kyung) does in 〈Theater Jeon〉 (2005) or Yeon-hong (Son Ye-jin) does in 〈No Secrets〉 (2016).
| Joo Seong-cheol
A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

▶ This article on Kore-eda Hirokazu's 〈The Sheep in the Box〉 continues from Part 1.Recovery of an animistic sensibility The willingness to believe in the unseen connects directly to Japan's traditional animism, which holds that natural objects and phenomena are inhabited by spirits or invisible...
| Chua-young
A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

Director Kore-eda Hirokazu introduced his new film 〈Sheep in the Box〉 at a June 4 press briefing at Megabox COEX in Seoul, joined by child actor Kuwaki Rimu, who plays the humanoid Kakeru. Known for his warm yet incisive take on alternative families, Kore-eda returns with a film that extends his...
| Chua-young
3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

A genre balance that combines a uniquely built setting rooted in a prison with social satire, melding violence and black comedy to draw intense attention from overseas genre fans.
Barunson E&A (CEO Choi Yoon-hee, and Moon Yang-kwon) co-produced the Indonesian genre film 〈Ghost in the Cell〉 with Indonesia’s leading director Joko Anwar’s production company Come And See Pictures, and handled overseas sales.
| Joo Seong-cheol
[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

I’m interested in people. Even actors already drawing attention may be less famous today than they will be tomorrow. 'Kim Ji-yeon’s Jewel Box' introduces performers reaching new highs by the day. Think of it as spotting a breakout before everyone else does.
Writing about an actor who seems to be everywhere on TV can feel almost too obvious, but Yoon Byung-hee is in the midst of another prime that is impossible to ignore. Yoon Byung-hee has recently appeared in 〈My Royal Nemesis〉, 〈Sold Out on You〉 and 〈21segi Daegunbuin〉 — three dramas that aired...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol