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[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

A crew of 10 and a total budget of 26 million yen—so low it’s almost unprecedented—has pushed box-office revenue past 1 billion yen.
〈Samurai Timeslipper〉 depicts the journey of an Edo-era samurai who is ‘time-slipped’ into a movie set and ends up working as a beheading specialist actor As the film was released in Japan, starting out in just one theater, word of mouth spread and showings expanded to about 380 theaters across the...
| Joo Seong-cheol
‘Backrooms’ Reaps 20 Times Its Budget in Profit, Surpasses 1 Million in South Korea—First Record in 7 Years for Foreign-Language Horror

‘Backrooms’ Reaps 20 Times Its Budget in Profit, Surpasses 1 Million in South Korea—First Record in 7 Years for Foreign-Language Horror

The film 'Backrooms', which began as a YouTube urban legend, rides word of mouth among the 1020 generation to pull in worldwide revenue of 370 billion won
A digital labyrinth summoned from the margins of memory, shattering the map of the screen The primal fear of isolation and the unknown that lies hidden within modern people finally broke through the screen and swallowed up the crowds of reality.
| James choi
Yeon Sang-ho’s ‘Swarm’ Smashes Through Overseas Markets Too…Malaysia and Taiwan Top All-Time List for South Korean Films

Yeon Sang-ho’s ‘Swarm’ Smashes Through Overseas Markets Too…Malaysia and Taiwan Top All-Time List for South Korean Films

Swept special theaters in Malaysia and Taiwan, topping $1.7 million in cumulative sales ahead of a North America release in August, as global box-office momentum gathers speed
Yeon Sang-ho’s zombie film ‘Swarm’ is sparking a runaway surge in ticket sales not only at home but also in the global market. On the 16th, according to CJ CGV’s subsidiary CJ 4DPLEX (4DPLEX), ‘Swarm’ set the top box-office record among this year’s technology-special-theater releases in Malaysia.
| James choi
Steven Spielberg’s New Movie “Disclosure Day” Sparks a Global Box-Office Breakout With $140 Billion in Its First Week

Steven Spielberg’s New Movie “Disclosure Day” Sparks a Global Box-Office Breakout With $140 Billion in Its First Week

Spielberg returns behind the camera. The alien-life thriller “Disclosure Day” takes the No. 1 spot at the North American box office and dominates
A master’s return, a cosmic craze that devours theaters worldwide Hollywood legend ‘Steven Spielberg’‘s latest film ‘Disclosure Day’ is wreaking havoc on the global box office. In just the opening weekend, it has logged an astonishing worldwide haul that surpasses 140 billion won, perfectly...
| James choi
[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’ South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
| James choi
Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

A film adaptation of a YouTube horror tale with 25 million views…A 20-year-old director with no Hollywood experience sets an A24 all-time opening-champion record
Internet abyss legends swallow the screen in a visual revolution The overwhelming mise-en-scène of 'The Backrooms', which perfectly captures an unknown dread. A city creepypasta that once roamed the digital ecosystem has finally shattered the hard box-office barrier of Hollywood.
| James choi
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
| Seongchan Eol
Critics Shake Their Heads, Audiences Nod: 3 films that succeeded at the box office despite sharply divided reviews

Critics Shake Their Heads, Audiences Nod: 3 films that succeeded at the box office despite sharply divided reviews

The King of Pop is dominating the screen. 〈Michael〉, which opened in about 30 countries including North America, cleared $200 million in its first week and is riding a strong box-office wave. Before its release, the review-aggregation site Rotten Tomatoes showed near-panning scores — a so-called...
| Seongchan Eol