Search results for "Lee Hyun-Wook"

[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

I am curious about people. Even actors already in the spotlight can be at their least visible moment right now. "Kim Ji-yeon's Jewel Box" introduces performers who are hitting new highs day by day. Buy the dip on tomorrow's breakout stars.
I would go so far as to say she has renewed a career-defining role — specifically Seon Min-hee in 〈Notes from the Last Row〉. For an actor in her 21st year since debut, this represents a new peak. Viewers and theatergoers who have followed Han Ji-eun for years already consider her well known, yet...
Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.
[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

※Spoilers for 〈The Boy in the Last Row〉.​We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy”The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
Jung I-seo plays Heo Jun-ho's daughter in Netflix's 'Notes from the Last Row'

Jung I-seo plays Heo Jun-ho's daughter in Netflix's 'Notes from the Last Row'

Co-starring with Choi Min-sik and Choi Hyun-wook, she brings a cold, commanding presence
Jung I-seo plays a mysterious figure in Netflix's 〈Notes from the Last Row〉, adding a cold edge to the suspense drama.The suspense drama follows failed writer and Korean literature professor Heo Mun-oh (Choi Min-sik) after he discovers the genius of Lee Kang (Choi Hyun-wook), a student who sits in...
[OTT Ratings] Cineplay Reporters Review Netflix's 'Notes from the Last Row'

[OTT Ratings] Cineplay Reporters Review Netflix's 'Notes from the Last Row'

[OTT Ratings]Choi Min-sik and Choi Hyun-wook's suspense drama 〈Notes from the Last Row〉 is now streaming on Netflix. The series follows Heo Mun-o, a failed writer and Korean literature professor, as he discovers the genius of Lee Kang, a student in the back row, and grows obsessed with the boy's...
Choi Min-sik × Choi Hyun-wook Netflix “The Boy at the Back Line” Released Today (26) — Three Things to Watch

Choi Min-sik × Choi Hyun-wook Netflix “The Boy at the Back Line” Released Today (26) — Three Things to Watch

A gripping suspense that digs into raw, private emotions and a cliffhanger ending that upends expectations are previewed ‘A-list actor’ Choi Min-sik and ‘top-billed’ Choi Hyun-wook deliver an airtight on-screen ensemble and overwhelming character command Director Kim Gyu-tae’s meticulous production and a frame-within-a-story setup with strong pull
Netflix has revealed three things to watch ahead of the release of 〈The Boy at the Back Line〉.Turbulent psychology and intense suspense Netflix original series 〈The Boy at the Back Line〉 depicts what happens when Heo Mun-oh, a professor but a failed writer, meets Lee Kang, a young man with...
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.