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I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.

The 1990s legend sitcom ‘Home Improvement’ breaks its 25-year return plans First son role goes to Zachary Ty Bryan—now serving time in jail for assault and a DUI Jonathan has retired, and Taran Noah Smith has paused acting… Patricia Richardson, who plays the wife, says she has “no interest” in a reboot

〈Reni〉 is a film based on the true story of Renny Bruce, a 1960s stand-up comedian who died from a real drug addiction.

I'm obsessed with subculture. I check out anything with fresh stories, settings, or characters — movies, webtoons, games, comics, animation. Having discovered fandom through comics, I became what I call an "e-adult" — an adult who reads printed comics via e-books and webtoons on my phone. But it's less fun alone. In this recurring column, Seong Chan-eol's Comics, I highlight works that are more enjoyable together from the perspective of a jack-of-all-fandoms — a fan with broad, eclectic tastes.

I am captivated by music in films. Music sometimes reveals a character's intimate emotions that visible images and spoken lines alone cannot convey. It can become a window into the creator's hidden intentions. For me, understanding film music was one way of reaching a movie. 'Chu Ah-young's Music Box' listens to a film's voice up close by way of its music. (P.S. I hope you listen to the music while reading.)