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Search results for "There Is No Way"

Trump Triggers Unauthorized Use Debate Over “Pokémon” and “Naruto” … Despite Two Japanese Government Protests, White House Lets Video Stand

Trump Triggers Unauthorized Use Debate Over “Pokémon” and “Naruto” … Despite Two Japanese Government Protests, White House Lets Video Stand

He used “Yu-Gi-Oh!” and “Dragon Ball” without permission to promote attacks and immigration crackdowns… Even after officials raised concerns in April and June, the video still wasn’t deleted
White House’s “Yu-Gi-Oh. ” Unauthorized Use … Video Stays “As Is” Even After Japan’s Second Protest Unauthorized use of four works, including “Pokémon,” in policy promotion, directly clashing with the U. S. posture of protecting American intellectual property U. S.
| James choi
[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

When her older sister develops symptoms of schizophrenia, her parents choose to put a lock on the front door instead of taking her to a hospital. Unable to look away, the younger brother picks up a camera and steps into that silence.
Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​ You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.
| 이화정
[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

When it was released in Japan, the film posed pointed questions about families with disabled relatives and issues of caregiving, and interest continues as it opened in South Korea on the 29th of last month.
There’s a film that has sparked buzz on every front, from the source material—an older sister’s schizophrenia and the parents’ confinement of her—to the production of a private documentary recorded by the family, and to the theater release format despite the absence of IPTV, VOD, OTT, and other...
| 이화정
[Sung Chan-yeol’s Comics] In 〈He and the Moon〉, a Big Family Feels Both Close and Far Away

[Sung Chan-yeol’s Comics] In 〈He and the Moon〉, a Big Family Feels Both Close and Far Away

I’m drawn to subculture in all its forms. I don’t just follow films; I check out webtoons, games, manga and animation — anything that offers a fresh story, theme or character. Comics first opened the door to fandom for me, and now I read manga as e-books and webtoons on my smartphone — an adult who...
| Seongchan Eol
[Photo &] So Ji-sub Interview: “Kim Bu-jang” Breaks Through 23% Ratings With Fatherly Action That Overcomes “No-Child” Limits

[Photo &] So Ji-sub Interview: “Kim Bu-jang” Breaks Through 23% Ratings With Fatherly Action That Overcomes “No-Child” Limits

The cumulative viewership surpasses 25.63 million… Praises for the acting chemistry with Choi Dae-hoon and Yoon Kyung-ho and the grit shown as the team pushed through the cold snap. Even as the actor is mentioned as a candidate for the Acting Awards, he says, “If the team wins, I hope it’s them.”
Actor "So Ji-sub" (49) hit a dramatic turning point in his acting career through the SBS drama "Kim Bu-jang", setting an astonishing record of "23%" and delivering a flawless performance. Even though he has no children under his belt after marrying in 2020, he carved into the TV screen the feral...
| James choi
[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

Praise for his role as Kang Si-woo in tvN’s “Work Tomorrow!”… Behind the ending ad-lib and his laid-back mindset after 15 years since debut
Actor Seo In-guk proved his seasoned depth from his 15th year since debut by fully bringing to life the workaholic Gang Si-woo in tvN “Work Tomorrow. ”, which recently wrapped, a character that stands in stark contrast to his true self.
| James choi
Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

After 〈Spider-Man: No Way Home〉 wiped Peter Parker from everyone’s memory, 〈Spider-Man: Brand New Day〉 sends him into a lonelier, heavier new chapter — following Spider-Man, now living like a Marvel version of the reality series 'I Live Alone,' as he encounters a new enemy.
| Seongchan Eol
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol