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“Behemoth cinematic experience that completely overwhelms audiences,” ‘Hope’ IMAX release confirmed!

“Behemoth cinematic experience that completely overwhelms audiences,” ‘Hope’ IMAX release confirmed!

News begins with a tiger appearing at the Hopo Port, located in the Demilitarized Zone, and ‘Hope,’ set for release on July 15.
The film 〈Hope〉 , receiving praise from global media and critics through its world premiere at the Cannes Film Festival, has confirmed its IMAX release and promises an overwhelming cinematic experience. 〈Hope〉 did not hold back challenges and efforts to bring every field—production as a whole,...
| Joo Seong-cheol
Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

The two works were invited to the Bucheon International Fantastic Film Festival’s [Platform Planning Exhibition: Short-Form Cinema],
The Bucheon International Fantastic Film Festival, which marks its 30th anniversary this year, is a leading domestic festival that has actively introduced new formats and content, focusing on genre films. The two works were invited to [Platform Planning Exhibition: Short-Form Cinema] within the...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

Held for two days from Saturday, May 30 to Sunday, May 31 at Seoul Dongdaemun Design Plaza (DDP), the event drew more than 2,500 visitors and closed out successfully.
Based on six values—Diversity, Equality, Inclusion, Pride, Love, and Solidarity—the country’s largest LGBTQ culture and arts fair, the “12th Seoul Pride Expo 2026,” wrapped up successfully at Seoul Dongdaemun Design Plaza over the two days from Saturday, May 30 to Sunday, May 31.
| Joo Seong-cheol
A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

Yeon Sang-ho’s latest film, “Gun-chae,” hits the break-even point at the fastest pace of the year, underscoring the box-office power of a Cannes Film Festival invitee.
A Win in 10 Days Signals an Overwhelming Hit for “Gun-chae,” the Film That Changes the Paradigm for Korea’s Zombie Genre The hit formula for Korea’s zombie blockbuster has been rewritten. Director Yeon Sang-ho’s new film “Gun-chae” surged to an early break-even moment by drawing more than 3.
| James choi
Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

After searching for more than a year through Cannes, Los Angeles and Hong Kong for the best comedy film, BDNS leader Mun Sang-hoon settled on a single title: 〈Nirvana the Band: Not related to the legendary band ‘Nirvana’ — the duo Matt and Jay.
| Chua-young
Hwang Jung-min’s “Stella” Becomes a Police Car: Hyundai Sponsors Noh Hong-jin’s “Hope” in Competition at Cannes

Hwang Jung-min’s “Stella” Becomes a Police Car: Hyundai Sponsors Noh Hong-jin’s “Hope” in Competition at Cannes

In Noh Hong-jin’s new film “Hope,” Hwang Jung-min and Jung Ho-yeon’s police car is “Stella”—a key on-screen object poised to captivate global audiences while past heritage meets today’s art
'Stella' Walks the Cannes Red Carpet: 'Hyundai Motor'’s Meticulous Cultural Ambassador Strategy As the new work 'Hope' by master filmmaker 'Noh Hong-jin' entered the competitive section of the 79th Cannes Film Festival and drew global attention, an unexpected scene-stealer stepped in.
| James choi
Box Office Rank #2 ‘The King’s Man’ Facing a Screening Ban Crisis? Producer Says, “No Plagiarism”

Box Office Rank #2 ‘The King’s Man’ Facing a Screening Ban Crisis? Producer Says, “No Plagiarism”

First Hearing on Injunction Application by Bereaved Family of the ‘Eom Heung-do’ Drama… Seven Creative Elements Are the Biggest Point of Contention
[Issue Focus] Blockbuster at No. 2 in attendance, ‘The Man Who Lives with the King’, faces an unprecedented ‘screening ban’ crisis A legal showdown is at the center of attention for ‘The Man Who Lives with the King’ (hereafter ‘The King’s Man’), the mega-hit film by director Jang Hang-jun, who...
| James choi
Prize pool of 20 million won—Cineplay x Korea Film Archive Hosts the 1st Korea Short Drama Awards!

Prize pool of 20 million won—Cineplay x Korea Film Archive Hosts the 1st Korea Short Drama Awards!

Submissions are accepted until July 20, and the awards ceremony will be held on August 29 at the Korea Film Archive’s main office in Sangam-dong.
Co-hosted by Cineplay and the Korea Film Archive to discover future K video content May 20 to July 20 — submissions open, Awards ceremony on August 29 , with a Grand Prize of 10 million won Outstanding visualization of the language of short dramas—Official posters for the Studio Hall revealed ​ ​...
| Joo Seong-cheol
Netflix Effect! From Life Beyond the Screen to Culture and the Economy… $325 Billion in Value for the Global Economy!

Netflix Effect! From Life Beyond the Screen to Culture and the Economy… $325 Billion in Value for the Global Economy!

Netflix has released the “Netflix Effect,” highlighting the impact its content has had on industries worldwide over the past 10 years—from viewers’ everyday lives to the creative ecosystem.
Netflix has released the “Netflix Effect,” spotlighting the economic, cultural, and social impact its content has had worldwide over the past 10 years—from viewers’ daily lives to the creative ecosystem, local communities, and the broader industries.
| Joo Seong-cheol