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‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
'Train to Busan' Set for 4K Re-Release in Major Overseas Markets for 10th Anniversary

'Train to Busan' Set for 4K Re-Release in Major Overseas Markets for 10th Anniversary

Opens on more than 500 North American screens in August; Japan, Europe and Latin America to follow
The film that sparked a K-zombie craze in South Korea, 〈Train to Busan〉 (directed by Yeon Sang-ho), is marking its 10th anniversary with a 4K remastered re-release in major overseas markets. Contents Panda, the overseas sales and distribution affiliate of investor-distributor NEW, officially...
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

〈The Chaser〉(113,673 viewers), 〈Hwanghae〉(120,482 viewers), 〈The Wailing〉(310,042 viewers)—it is the highest opening score among filmmaker Na Hong-jin’s works to date.
With the movie 〈Hope〉 proving an unmistakable presence at this summer’s theaters, it drew 333,899 viewers on its first day of release to take the No. 1 spot at the box office. That makes it the highest opening score among Na Hong-jin’s works to date, surpassing 〈The Chaser〉(113,673 viewers),...
[Weekend Theater] Live-Action ‘Moana’ Takes No. 1 at the Box Office, Reservation-Rate Surge for Na Hong-jin’s ‘Hope’

[Weekend Theater] Live-Action ‘Moana’ Takes No. 1 at the Box Office, Reservation-Rate Surge for Na Hong-jin’s ‘Hope’

A new blockbuster formula for Disney’s live-action remake, as the ocean fantasy swept the theater scene Disney’s ambitious live-action project ‘Moana’ has finally lifted the curtain and seized full control of the local theater scene.
'Toy Story 5' Hits $160 Million in North America First-Weekend Ticket Sales, Sets Top Opening Record for 2026

'Toy Story 5' Hits $160 Million in North America First-Weekend Ticket Sales, Sets Top Opening Record for 2026

〈Beyond Inside Out 2〉 and 〈Zootopia 2〉
Disney and Pixar’s flagship animated feature 〈Toy Story 5〉 is sparking a worldwide box-office craze after delivering an overwhelming score during its first weekend in North America. According to Box Office Mojo, 〈Toy Story 5〉 earned $160 million (about 244.
‘Scary Mommy’ Founder Jill Smokler Dies at 48, Leaving ‘Perfectionism Sniper’ Who Made Moms Worldwide Cry

‘Scary Mommy’ Founder Jill Smokler Dies at 48, Leaving ‘Perfectionism Sniper’ Who Made Moms Worldwide Cry

After exposing the raw reality of parenting with the legendary parenting platform ‘Scary Mommy,’ Smokler passed away this morning following a two-year fight against a malignant brain tumor (glioblastoma)… A New York Times best-selling author and a pioneer who saved millions of lonely mothers
Jill Smokler, the founder of the digital parenting platform ‘Scary Mommy,’ has died after a cancer battle, leaving behind a legacy of a once-in-a-generation blogger who changed the landscape of modern online parenting communities by telling millions of mothers worldwide, “It’s okay not to be...
Yeon Sang-ho’s ‘Swarm’ Smashes Through Overseas Markets Too…Malaysia and Taiwan Top All-Time List for South Korean Films

Yeon Sang-ho’s ‘Swarm’ Smashes Through Overseas Markets Too…Malaysia and Taiwan Top All-Time List for South Korean Films

Swept special theaters in Malaysia and Taiwan, topping $1.7 million in cumulative sales ahead of a North America release in August, as global box-office momentum gathers speed
Yeon Sang-ho’s zombie film ‘Swarm’ is sparking a runaway surge in ticket sales not only at home but also in the global market. On the 16th, according to CJ CGV’s subsidiary CJ 4DPLEX (4DPLEX), ‘Swarm’ set the top box-office record among this year’s technology-special-theater releases in Malaysia.
Jun Ji-hyun X Koo Gyo-hwan’s “Colony” Reclaims No. 1 at the Box Office in a Day—500 Million Views in Sight

Jun Ji-hyun X Koo Gyo-hwan’s “Colony” Reclaims No. 1 at the Box Office in a Day—500 Million Views in Sight

Spurred by a new wave of Hollywood legend Steven Spielberg’s latest onslaught, the film bounced back to the top in just one day, flexing South Korea’s zombie strength Cumulative admissions surpass 4.91 million…Box-office momentum gets a further boost with special videos and events centered on zombie performers Yeon Sang-ho’s next-generation infection thriller, as it locks in a solo run at theaters and begins a long haul at the box office
〈Colony〉 is back at No. 1, putting 5 million admissions within reach. The film 〈Colony〉 depicts a string of incidents that unfold as a virus spreads inside a building. After it opened on May 21, it steadily held onto the top spot at the box office and surpassed 4 million admissions.
[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’ South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...