LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "Korea-Japan Co-Production Film"

After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

〈A Man Living with the King〉's Yeongwol was followed by Yesan for 〈Salmokji〉. The film 〈Salmokji〉, which has already surpassed twice its break-even point, takes its motif from the 'Salmokji legend,' which is set at the Salmokji reservoir in Gwangsim-myeon, Yesan, Chungnam.
| Kim Ji-yeon
Jeong Juri Director ‘Dora’ Invited to Directors’ Fortnight at the 79th Cannes Film Festival

Jeong Juri Director ‘Dora’ Invited to Directors’ Fortnight at the 79th Cannes Film Festival

Starring Sakura Ando and Kim Do-yeon, an original narrative inspired by Freud’s ‘Dora’ case study Directors’ Fortnight Committee Chair Julien Rege praises the film as “a bold and original exploration within the context of Korean cinema”
Director Jeong Juri’s third feature film ‘Dora ’ has been officially invited to the 79th Cannes International Film Festival under Directors’ Fortnight (Quinzaine des Cinéastes). With this, Jeong has achieved the rare feat of three consecutive Cannes appearances, with every feature film—from her...
| Yangsimoh
Kim Do-yeon × Ando Sakura in the Lead! Jeong Juri’s New Film ‘Dora’ Invited to the Directors’ Fortnight at the Cannes Film Festival!

Kim Do-yeon × Ando Sakura in the Lead! Jeong Juri’s New Film ‘Dora’ Invited to the Directors’ Fortnight at the Cannes Film Festival!

The film captures the process of two people wounded in both body and mind getting swept up in a whirlwind of complicated emotions, brought to life through Jeong Juri’s signature delicate direction.
On Tuesday, April 14, the Executive Committee of the Directors’ Fortnight of the 79th Cannes Film Festival announced Jeong Juri’s new film 〈Dora〉 as an invited title. Following Jeong Juri’s previous works 〈Dohyiya〉 and 〈The Next So-hee〉 (Closing Film of Critics’ Week), this marks a further...
| Joo Seong-cheol
'Hayao Miyazaki' Close-Up: A Seven-Year Record After His Retirement Reversal, Documentary on Studio Ghibli’s Workshop Set for Release

'Hayao Miyazaki' Close-Up: A Seven-Year Record After His Retirement Reversal, Documentary on Studio Ghibli’s Workshop Set for Release

For the First Time Revealed: The Backstory Behind the Oscar-Winning Film 'How Do You Live?'
The Heart of 'Studio Ghibli' Awakens: Breaking Seven Years of Silence The Hidden Seven Years of a Master—'Studio Ghibli' Returns to the Screen An enduring legend of Japanese animation, 'How Do You Live?', a 'documentary' film that closely tracked the secretive yet fiercely driven seven years of...
| James choi
Korea-Japan Comedy Heavyweights Unite… MetaComedy × Yoshimoto Kogyo Joint Performance

Korea-Japan Comedy Heavyweights Unite… MetaComedy × Yoshimoto Kogyo Joint Performance

MetaComedy from Korea and Japan’s Yoshimoto Kogyo will hold a joint show at Sogang University on the 10th of next month.
'MetaComedy' X 'Yoshimoto Kogyo', Laughter Without Borders… Launching a New Chapter in Korea-Japan Comedy When two major comedy powerhouses representing Korea and Japan come together, they will put on a historic stage that breaks down barriers between language and culture.
| James choi
Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

A New IP Strategy Through OSMU to Build Diverse Content and Cross Over Between Audiences Expect Steady Revenue Through Season-Based Content and Market Expansion via Co-Productions With Global Production Companies Expect a Sharp Sales Jump in 2026 With Global Content Planning and Production
Big Ocean ENM (CEO Shin In-soo, Lee Seong-jin) has officially unveiled its latest lineup of productions and development projects, and in 2026 it continues to draw strong expectations from audiences both at home and abroad.
| Yangsimoh
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
| Cineplay
[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

I get hooked on the objects in movies. I find myself falling into deep thought—why, of all things, did the director, cinematographer, production designer, or even an actor put that item in front of the camera? “Chu Sung-cheol’s Lockers” is a record of the film props that gently but firmly captured my attention.
A must-do itinerary on a trip to Hong Kong is Victoria Peak on Hong Kong Island. When you take the Peak Tram up, you’re treated to a stunning view: Hong Kong Island’s skyline in the foreground, with the Kowloon Peninsula stretching out far in the distance.
| Joo Seong-cheol
From Part 2 to the Oscars Stage: The Fun, Quip-Filled Back-and-Forth from the Stars of ‘K-Pop Demon Hunters’

From Part 2 to the Oscars Stage: The Fun, Quip-Filled Back-and-Forth from the Stars of ‘K-Pop Demon Hunters’

Like a film that revived the long-neglected narrative of “K-pop” and “K-culture”—lifting them back up to a global, top-tier standard—the stars of the animated feature 〈K-Pop Demon Hunters〉 faced reporters. 〈K-Pop Demon Hunters〉 is an animation about Lumi, Joy, and Mira from the K-pop group...
| Seongchan Eol
Kill Bill: The Whole Bloody Affair Adds 12 More Minutes—What Changed in the 275-Minute “Whole Bloody Affair”?

Kill Bill: The Whole Bloody Affair Adds 12 More Minutes—What Changed in the 275-Minute “Whole Bloody Affair”?

Is this a re-release, or the original? A movie that confuses audiences—yet, oddly enough, even that confusion feels like something to welcome—has finally found its way to theaters. Released on April 1, 〈Kill Bill: The Whole Bloody Affair〉 is a new version of the 〈Kill Bill〉 two-part saga originally...
| Seongchan Eol