Search results for "New Work Next Year"

A Cannes short-film lineup that edged past fierce competition from 3,000-plus entries—Hongik University’s La Cinéf division makes its first-ever appearance!

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.

Born from poetry, silent film, and music Jang Ki-ha’s first solo full-length project featuring bold creative experiments is unveiled for the first time at the 27th Jeonju International Film Festival

Even after returning after three years, her flawless character-to-character chemistry and refreshingly vibrant short-hair style are getting serious attention.

Tom Cruise returns with ‘Top Gun 3.’ After the $1.5 billion box-office phenomenon, attention turns to whether it will ignite another global theater-going frenzy, building on the momentum of the previous film.

Bae Doona Stars in “Family Plan 2” Script-Reading Scene Park Byung-eun, Jeon Hye-jin, Park Ho-san, and Other Overwhelming Villain Crew Join In, Signaling an Even Stronger Narrative!

Operating profit rose 18% and beat expectations, but shares plunged 9% in over-the-counter trading after a report that Reed Hastings—the founder who led the company for 29 years—has stepped down

〈Bamis〉 is a K-dessert variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities form teams in pairs of two. They create creative desserts using K-style ingredients.

〈Bamis〉 is a K-dessert variety show where five renowned pâtissiers and five Korean rising male celebrities team up as pairs, creating new K-desserts.

Starring Sakura Ando and Kim Do-yeon, an original narrative inspired by Freud’s ‘Dora’ case study Directors’ Fortnight Committee Chair Julien Rege praises the film as “a bold and original exploration within the context of Korean cinema”