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[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
| Kim Ji-yeon
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Choo Young-woo wraps Seoul fan meeting, heads to Japan in July

Choo Young-woo wraps Seoul fan meeting, heads to Japan in July

He shared updates on upcoming projects Love Doctor and Long Vacation, and treated fans to a live band set and cover performances
Actor Choo Young-woo met fans at two solo fan meetings in Seoul on June 27, his agency J-Wide Company said. The event, titled "2026 CHOO YOUNG WOO FANMEETING [CHOO-prise. ] in SEOUL," took place at Daeyang Hall at Sejong University in Gwangjin-gu, Seoul.
| Kim Ji-yeon
'Marty Supreme' Director Josh Safdie Confirms Online GV on June 30 at CGV Yongsan iPark Mall for First Talk With Korean Viewers

'Marty Supreme' Director Josh Safdie Confirms Online GV on June 30 at CGV Yongsan iPark Mall for First Talk With Korean Viewers

Timothée Chalamet and Gwyneth Paltrow star in 'Marty Supreme,' with a special GV set ahead of its July 1 release Cineplay editor-in-chief Joo Seong-cheol will lead on site, and director Josh Safdie will join via video call for a standout event Marty Mauzer’s journey to hell to become the best, and anticipation for Josh Safdie’s first solo directorial project
〈Marty Supreme〉 director Josh Safdie is set to meet Korean viewers, at least via video call.The film 〈Marty Supreme〉 is Josh Safdie’s first solo directorial work among the “Safdie brothers.” It depicts Marty Mauzer, who becomes obsessed with a dream that no one respects, as he heads all the way to...
| Seongchan Eol
[Interview] Gong Myung on His First Husband and Father Role: 'I Got a Lot of Help From Jin Sun-kyu, Who's a Real Romantic'

[Interview] Gong Myung on His First Husband and Father Role: 'I Got a Lot of Help From Jin Sun-kyu, Who's a Real Romantic'

In Netflix's 〈Husbands in Action〉, released on the 19th, Gong Myung delivers a performance that most fully showcases the actor’s coined "bright-eyed mania" charm. The film is a comedy-action story about an unpredictable rescue mission in which an ex-husband and a current husband, who unexpectedly...
| Kim Ji-yeon
Chuncheon Film Festival Opens for 13th Edition, Adding Romance to Summer Nights

Chuncheon Film Festival Opens for 13th Edition, Adding Romance to Summer Nights

Held for four days starting on the 25th in and around Megabox and the Gongji Stream area in Chuncheon. A host of cultural festivities is in the works, including screenings of 53 films, free outdoor movie showings, and director GV sessions.
A Cinematic Utopia Awakens as Chuncheon Turns On Its Screen for a Midsummer NightNights in Chuncheon, Gangwon-do, are set off by artistic inspiration. “13th Chuncheon Film Festival” will kick off in grand style from the 25th through the 28th at Megabox Namchuncheon and the area around Gongdyo...
| James choi
[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

A “buddy movie” made by “buddies” who genuinely don’t have to pretend—crafted “together. ” 〈Extreme Job〉(2019) marked the last time they reunited after seven years, but Jin Sun-kyu described Gong Myung as “the kind of feeling that’s like a real younger brother.
| Kim Ji-yeon
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
| Joo Seong-cheol