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‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam’s ‘Tony Leung Special Exhibition’ wraps up with a screening of 〈Color, Cain〉 on Aug. 1.
This spring, Tony Leung visited South Korea. After all this time, it’s been 18 years since the first European foray of Leung—who is now past his 60th birthday—came to Seoul to promote director Ildikó Enyedi’s 〈〈Friend of Silence〉〉, the director’s first film in which Leung stars, and to promote his...
Jung Ho-yeon Steps Into the 2026 North American World Cup Final… Global Flair Hidden in Her Jersey With “Hope”

Jung Ho-yeon Steps Into the 2026 North American World Cup Final… Global Flair Hidden in Her Jersey With “Hope”

Attends an unveiling event with Spanish tennis star Carlos Alcaraz for the 2026 North American World Cup trophy From clever movie promotion in shoes designed to protect the grass to an eye-catching “HOPE 9.9” jersey Director Na Hong-jin’s new film “Hope” breaks 2 million in the first 5 days after its South Korea release, with a North American debut on Sept. 9
Jung Ho-yeon showed her affection for her featured work 〈LANGLE_BRACKET〉Hope〈RANGLE_BRACKET〉 even at a World Cup venue. The stature of a global star lighting up the World Cup final stage Actor Jung Ho-yeon appeared at a pre-event for the 2026 North American World Cup final on July 20 .
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
'Goblin' · 'Reply 1988' Marks 10 Years… Life Dramas Return in the Form of Variety Shows

'Goblin' · 'Reply 1988' Marks 10 Years… Life Dramas Return in the Form of Variety Shows

From Gong Yoo and Kim Go-eun to Park Bo-gum, the spin-off variety shows bank on a loyal fandom—and still carry the generational pull that endures 10 years later.
“Dad!” As Ahn Jae-hong calls out to actor Kim Seong-kyun, the familiar greeting from back then echoes: “I’m really, truly so glad—so glad!” When the scene shifts, Gong Yoo and Kim Go-eun recreate that signature moment when they turned the living-room drama into a sea of tears—then toss out a cheeky...
Lee Chang-dong: “Na Hong-jin’s ‘Hope’ is a crazy movie”…The high point of entertainment cinema

Lee Chang-dong: “Na Hong-jin’s ‘Hope’ is a crazy movie”…The high point of entertainment cinema

In a conversation with the audience, Lee Chang-dong praised his new film ‘Hope’…“Suspense that pushes past the limit, with Jo In-sung’s action a standout”
A titan of the Korean film industry, ‘Lee Chang-dong’, offered praise for ‘Na Hong-jin’’s new work ‘Hope’ that felt less like a compliment and more like awe. “The absolute peak that an entertainment film can reach—that’s a crazy movie, plain and simple.
[Weekend Movie Theater] Na Hong-jin’s New Film “Hope” Surpasses 330,000 on Opening Day… Biggest Record for Releases This Year

[Weekend Movie Theater] Na Hong-jin’s New Film “Hope” Surpasses 330,000 on Opening Day… Biggest Record for Releases This Year

It tops the previous hit “The Wailing” and sets the highest opening record of the year. Box office No. 2 is “Minions & Monsters,” followed by “Moana” and thriller “Eye-drops” starring Min-a Shin
‘Hope’ opens a new chapter for Korean sci-fi… What an overwhelming opening score means Director Na Hong-jin’s ambitious work ‘Hope’ has finally lifted the veil and is shaking up the movie-theater ecosystem. Lightly surpassing 300,000 viewers on its first day of release, it has set a new milestone...
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

321 films from 50 countries screened and about 137,000 visitors were counted; launch of Bucheon AI Content Summit points to the cinema of the future
The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.