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52nd Seoul Independent Film Festival Announces ‘Local Cinema’ and ‘Festival Choice’ Lineups

52nd Seoul Independent Film Festival Announces ‘Local Cinema’ and ‘Festival Choice’ Lineups

Cineplay Continues Its Support of the ‘Local Cinema Award’ This Year
The 52nd Seoul Independent Film Festival (SIFF 2026) has announced the official lineup for its Local Cinema section, which highlights the diverse possibilities of regional filmmaking (13 films), and Festival Choice, a section bringing together notable films from the past year (61 films).
[Joo Sung-chul’s Locker] The Still-Enchanting Mambo Dance in the 4K Re-release of *Days of Being Wild*—Leslie Cheung and the Mirror

[Joo Sung-chul’s Locker] The Still-Enchanting Mambo Dance in the 4K Re-release of *Days of Being Wild*—Leslie Cheung and the Mirror

I get fixated on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put a particular object in front of the camera. “Joo Sung-chul’s Locker” is a record of the objects in films that have quietly caught my eye.
What exactly was I watching. The image that has stayed with me throughout 〈Days of Being Wild〉, recently re-released in 4K, is Yuddy looking at himself in a mirror. The same goes for the opening, when he flashes his handsome face and says, “Would you look at my watch with me for just one minute.
Yeon Sang-ho’s ‘Lost Paradise’ sells to 118 countries, a box-office triumph on a $500 million-won budget; recoups net production costs before release

Yeon Sang-ho’s ‘Lost Paradise’ sells to 118 countries, a box-office triumph on a $500 million-won budget; recoups net production costs before release

Invited to the Hawaii International Film Festival on the 21st; opens in South Korean theaters
A new film from Yeon Sang-ho, the director who has helped drive the global rise of Korean content, has set a new milestone for the Korean film industry, selling to 118 countries worldwide before its release. According to distributor CJ ENM on the 19th, proceeds from overseas sales alone have...
A Gentle Rhythm in Everyday Life: The Chosen Family at the Heart of 'Journey There'

A Gentle Rhythm in Everyday Life: The Chosen Family at the Heart of 'Journey There'

She cleans them every day: the car and the piano. She cannot drive the car or play the piano, but for Chun-hee (Kim Hye-ok), who lives each day polishing the grand piano and old car her husband left behind as though washing her face, life is an endless task of wiping away dust.
[Box Office] ‘Chiikawa’ Holds No. 1 for Second Straight Week, Surpassing 1.82 Million

[Box Office] ‘Chiikawa’ Holds No. 1 for Second Straight Week, Surpassing 1.82 Million

Director Heo Jin-ho’s ‘Assassins’ draws 3.24 million moviegoers; Yeon Sang-ho’s new film ‘Lost in Paradise’ opens Oct. 21
‘Chiikawa’ fever keeps it atop the box office for a second straight week ‘Chiikawa the Movie: The Secret of the Mermaid Island’, featuring the popular Japanese character, took a commanding hold of theaters over the weekend.
200 Gather for Shin Young-kyun’s 99th-Birthday Celebration; Late Ahn Sung-ki’s Son Shares Moving Tribute

200 Gather for Shin Young-kyun’s 99th-Birthday Celebration; Late Ahn Sung-ki’s Son Shares Moving Tribute

16th Beautiful Artist Awards held alongside celebration; Kim Mu-yeol, Park Geun-hyung and three others receive awards and 20 million won each
A celebration marking the 99th birthday of veteran actor Shin Young-kyun, a living legend of Korean cinema, was held in grand style on the 15th at Stage28 in Gangdong-gu, Seoul. The event was held alongside the 16th Beautiful Artist Awards, drawing about 200 figures from the arts and culture world...
[Busan International Film Festival (BIFF) Closing Ceremony] Attendance Tops 200,000; Unanimous Grand Prize Winner ‘Bread and Book’ Eligible for Oscars Submission

[Busan International Film Festival (BIFF) Closing Ceremony] Attendance Tops 200,000; Unanimous Grand Prize Winner ‘Bread and Book’ Eligible for Oscars Submission

31st festival closes after drawing its largest audience in 11 years, while Majid Majidi’s win reaffirms solidarity among Asian filmmakers
The power of art transcends the pain of war as Asian masters unite The 31st Busan International Film Festival, Asia’s largest film festival, concluded its 10-day run Thursday at the Busan Cinema Center in Haeundae-gu.
[2026 BIFF] Lee Chang-dong, Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jeong on 〈Possible Love〉: 'The Moon Shines Equally on Everyone'

[2026 BIFF] Lee Chang-dong, Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jeong on 〈Possible Love〉: 'The Moon Shines Equally on Everyone'

Director Lee Chang-dong’s first film in eight years, 〈Possible Love〉, was shown at the 31st Busan International Film Festival . Invited to the Icon section, the film met domestic film festival audiences for the first time after becoming the first Korean film to win the Grand Jury Prize at the 83rd...
“If Even One Person Listens” — ‘Eddie Alice: Take’ Holds Press Conference Amid Powerful Response

“If Even One Person Listens” — ‘Eddie Alice: Take’ Holds Press Conference Amid Powerful Response

The latest film from director Kim Il-ran, who has challenged documentary conventions through works including 〈 공동정범 〉 and 〈 두 개의 문 〉, uses an original cinematic language to capture the bodies and senses of two trans women.
〈Eddie Alice: Take〉, a meta-hybrid film that uses the transitions of trans women Eddie and Alice to give cinematic form to the unfamiliar experience of change and confrontation, held a press and distributor screening followed by a press conference to an enthusiastic reception.
Six Masterpieces Left by Late Ahn Sung-ki Draw Crowds, Stirring Deep Longing: “An Actor Who Was Always Kind”

Six Masterpieces Left by Late Ahn Sung-ki Draw Crowds, Stirring Deep Longing: “An Actor Who Was Always Kind”

Busan International Film Festival’s 31st edition concludes tribute program; special exhibition runs through Dec. 27
A special program honoring beloved veteran actor “Ahn Sung-ki,” who died in January this year, concluded successfully at the 31st “Busan International Film Festival.” Film fans from across generations continued to fill screenings, pushing “seat occupancy above 90%” and underscoring the public’s...