Search results for "Shin-chan"

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
Villain Romance Hits the Mark… Lim Ji-yeon x Heo Nam-jun Unveils the Secrets Behind the Box-Office Success of “Wonderful World”

Villain Romance Hits the Mark… Lim Ji-yeon x Heo Nam-jun Unveils the Secrets Behind the Box-Office Success of “Wonderful World”

“Wonderful World,” which logged a spot in the Netflix global top 10 for seven straight weeks, shares behind-the-scenes stories of Lim Ji-yeon and Heo Nam-jun’s perfect on-screen chemistry produced by the series staff
A Meeting of a Joseon-Era Villainess and a Modern-Day Tycoon, Writing a New Paradigm for K-RomanceThe SBS drama Wonderful World swept No. 1 in the Netflix non-English TV category, fully taking over living rooms at home and abroad.
Kang Hoon, Kim Hye-jun, Cha Woo-min and ITZY's Yuna to Star in tvN's 'My Bias, My Boss' in August

Kang Hoon, Kim Hye-jun, Cha Woo-min and ITZY's Yuna to Star in tvN's 'My Bias, My Boss' in August

An office rom-com based on the webtoon 'My Brother Is an Idol.'
tvN recently unveiled the main cast lineup for its new Monday-Tuesday drama 〈My Bias, My Boss〉: Kang Hoon, Kim Hye-jun, Cha Woo-min and ITZY's Shin Yuna. The network said the show will begin airing on Monday, Aug. 3 at 8:50 p. m.
MBC Enters Short-Form Drama Market With 'The Good Wife Is Over' Releasing Today

MBC Enters Short-Form Drama Market With 'The Good Wife Is Over' Releasing Today

Directed by Joo Seongwoo, a veteran of serial dramas including A Hundred-Year Inheritance, the revenge drama stars Lee Sia and Ahn Wooyeon.
MBC is entering the short-form drama market with its first series, 〈The Good Wife Is Over〉, which will be released worldwide today (30th) at 11 a.m. on the global short-form platform Dramabox.〈The Good Wife Is Over〉 is a revenge drama that follows a protagonist who has lived as an ideal homemaker...
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

AI films are Bucheon’s main focus. For the 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, hereinafter BIFAN), “Bucheon AI Contents Summit” (Bucheon AI Contents Summit) will be introduced for the first time this July, positioning itself as a venue for...
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...
[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

A meeting of the director of “Hanataba” and the screenwriter of “Monster.” It follows the warm journey of three ghost girls who keep growing even after the world they left behind is gone.
A strange co-living arrangement of three girls growing up in a world where time has stoppedCan growth continue even after death? The Japanese film “Kataomoi Sekai,” which traces the original and bittersweet trajectory of three girls who have said goodbye to the world, finally makes its way onto...