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Search results for "So Joo-yeon"

Park Hae-joon Joins 〈Nambeol〉, Set to Play Leader of Waegu Raiders

Park Hae-joon Joins 〈Nambeol〉, Set to Play Leader of Waegu Raiders

Hard‑boiled martial‑arts action set in early Joseon in which he will appear alongside Lee Byung‑hun
Park Hae-joon has joined the cast of 〈Nambeol〉, the upcoming hard‑boiled martial‑arts action film set in the early Joseon era, where he will appear alongside Lee Byung-hun. Hive Media Corp. said on the 28th that Park Hae-joon has been confirmed for the hard‑boiled martial‑arts action film 〈Nambeol〉...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
First Reactions to 〈Sanyangdeul〉: Cineplay Editor's Rating

First Reactions to 〈Sanyangdeul〉: Cineplay Editor's Rating

[First reactions at the press screening]〈Sanyangdeul〉, a wilderness adventure about four solitary girls who build a refuge of their own and embark on a small-animal rescue mission, opens July 29. Cineplay Editor Joo Sung-chul reviewed the film after its press screening.
| Joo Seong-cheol
Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Following last year’s 〈Face〉, Yeon returns to TIFF’s Special Presentations for a second consecutive year
Director Yeon Sang-ho's new film 〈PARADISE LOST〉 has been officially invited to the Special Presentations section at the 51st Toronto International Film Festival. CJ ENM said on July 21 that 〈PARADISE LOST〉 will screen in the Special Presentations section at the 51st Toronto International Film...
| Kim Ji-yeon
[OTT Star Ratings] Netflix Series “The East Palace” — Cineplay Reporter Star Ratings

[OTT Star Ratings] Netflix Series “The East Palace” — Cineplay Reporter Star Ratings

[OTT Star Ratings]Netflix series 〈The East Palace〉 was released on the 17th. 〈The East Palace〉 tells the story of Gucheon (Nam Joo-hyeok), who can move between the world of ghosts and others, and Saenggang (No Yoon-seo), a palace lady who keeps a secret, as they receive a summons from the king (Cho...
| Kim Ji-yeon
[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

SF film “Hope,” starring Hwang Jung-min and Jo In-sung, makes rounds at the GV event… “Awe-inspiring suspense and surprising exhilaration”
A master filmmaker’s praise, opening a new horizon for Korean science fiction “I kept my eyes on the screen, even amid a runaway rush of excitement. ” Global maestro “Bong Joon-ho” offered the rousing tribute after he met “Na Hong-jin”’s latest work “Hope”.
| James choi
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Kim Ji-yeon
The Four Daughters Who Kidnapped the Murderer Who Killed Their Youngest…Lee Jungeun, Gong Hyojin, Park Sodam and Lee Yeon’s ‘Gyeongju Trip’ Opens

The Four Daughters Who Kidnapped the Murderer Who Killed Their Youngest…Lee Jungeun, Gong Hyojin, Park Sodam and Lee Yeon’s ‘Gyeongju Trip’ Opens

A revenge drama honed over 8 years…A Florence Korean Film Festival prizewinner riding high on anticipation with Park Sodam and Byun Yohan joining the cast, set to open on Aug. 26 next month.
The Bloody Journey Begins: The Merciless Judgment of Four Daughters Who Overwhelm the Screen Starts Eight years of waiting—and a single day of judgment. The four daughters’ harrowing blood-soaked journey, after losing their youngest, finally pulls back the curtain.
| James choi
National Theater Masterpieces on the Big Screen! CGV Hosts “Cinematour” Free for All

National Theater Masterpieces on the Big Screen! CGV Hosts “Cinematour” Free for All

The National Theater of Korea’s signature repertoire—“Changgeuk: The Hegemon-King and Farewell to My Wife” and “The Book of the Lion” — plus “Entong-i’s Lullaby Kingdom 2”—will be screened at the CGV Yongsan I-Park Mall. Benefits include lively GV events with cast and production staff and limited-edition special tickets. Starting July 13, viewers can apply for free tickets through the National Theater of Korea website…A summer vacation special cultural experience
On July 13, the National Theater of Korea and CGV announced their “Cinematour” program. “Cinematour” is a special screening event that brings the National Theater of Korea’s signature repertoire to the big screen, and it will screen “Changgeuk: The Hegemon-King and Farewell to My Wife,” “The Book...
| Seongchan Eol
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
| Kim Ji-yeon