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[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

A record-breaking scale with 321 films screened across 50 countries. AI and short-form categories are added as the curtain rises on a new-genre festival
A massive comeback for 'Asia's largest genre film festival' — bold lineup for the 30th BIFAN'Asia's largest genre film festival' has returned in grand form, proving its clout. The 'Bucheon International Fantastic Film Festival' ('BIFAN') is back with the best-ever lineup.
| James choi
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Photo &] Christian Mungiu wins his second Palme d’Or at the 79th Cannes Film Festival with “Fjord,” while Na Hong-jin’s “Hope” misses out

[Photo &] Christian Mungiu wins his second Palme d’Or at the 79th Cannes Film Festival with “Fjord,” while Na Hong-jin’s “Hope” misses out

A dazzling 12-day journey, the artistic questions Cannes left behind
A Master Returns, Reaching the Peak of CannesThe eyes of cinephiles around the world were on the 79th Cannes Film Festival, and its top honor, “Palme d’Or,” went to Romanian master “Christian Mungiu.” The winning film, “Fjord,” is a sharp examination of modern society’s extremism through the...
| James choi
[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

The 79th Cannes International Film Festival, where Park Chan-wook’s poise and humor set the tone for the closing ceremony. Behind-the-scenes details from the Christian Mungiu Palme d’Or win and a warm, upbeat jury
‘The 79th Cannes International Film Festival’, a closing ceremony ruled by Park Chan-wook’s poise and humor“To speak honestly, the Palme d’Or is not a prize I wanted to give to anyone. That’s because it’s an award I’ve never received.
| James choi
A Sorrowful Tribute to the Season 2 Finale of ‘Georgie and Mandy’s First Marriage’—Who Is Phyllis Gilliam?

A Sorrowful Tribute to the Season 2 Finale of ‘Georgie and Mandy’s First Marriage’—Who Is Phyllis Gilliam?

After CBS’ hit sitcom aired its Season 2 finale, a memorial card appeared on screen A veteran costume supervisor who helped carry Hollywood theater groups and broadcasters for more than 30 years died on March 23 The news came only months after she lost her husband to cancer… cast and crew express deep condolences
The popular U. S. comedy sitcom on CBS, ‘Georgie & Mandy’s First Marriage’ (Georgie & Mandy’s First Marriage), paid a tearful tribute to a longtime costume supervisor who had worked alongside the show’s staff for years—also treating her as family—through the Season 2 finale episode.
| Yangsimoh
Yeon Sang-ho-Style Zombie Film Makes Another Leap, ‘Colony’ — Brief Review and What They Had to Say (feat. Koo Kyo-hwan's Zombie Greeting)

Yeon Sang-ho-Style Zombie Film Makes Another Leap, ‘Colony’ — Brief Review and What They Had to Say (feat. Koo Kyo-hwan's Zombie Greeting)

Yeon Sang-ho has once again led the evolution of zombie cinema. The film 〈Colony〉 finished its screening at the recent Cannes Film Festival and met with Korean reporters on May 20 ahead of its May 21 release. 〈Colony〉, which depicts events after biologist Seo Young-cheol injects himself with a...
| Seongchan Eol